A paper plane embarks on a whimsical odyssey of both of frolicking freedom, and future fate.
An experimental film that reflects on loneliness and calm.
A film about being, having been and becoming through the lens of a boy desperately trying to sketch out a cloud.
Moments full of peace, in which you do not believe that something can happen, but in which you are always alert. Alert though you see it far away. Suddenly everything becomes cloudy, reaches you and consumes you.
In a world where rain is produced by puppy-like rain clouds, Mother Nature’s young daughter sets them free to save them from evaporation.
Recorded Live on August 11, 2013, KEXP and Nature Consortium presents Cloud Cult performing at Camp Long during the 15th Arts in Nature Festival.
Cloud Cult's "Unplug: The Film" is a distillation; twelve years of songwriting into seventy minutes of acoustic performance. What remains is a shared experience of honesty and vulnerability. The songs took collective shape around campfires at the band's recording studio in the woods of Wisconsin and took stage at the Southern Theater in Minneapolis where the concert footage was shot, along with interviews and behind the scenes footage. Co-produced by Jeff D. Johnson (Motion 117 Productions) and Craig Minowa, the film is product of an eight-year collaborative relationship- one that has worked to create a space in which band and audience sit side by side.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
In green pastures, a dog lives happily alongside its master, an old and very unusual shepherd. The shepherd isn't merely content to shear his sheep, but transforms the wool into clouds to create rain, thereby perpetuating the life cycle. But if the shepherd isn't eternal, what will happen to the valley? The young dog must be creative and persevere in order to avoid the worst.
An Eternalism film.
A prairie landscape undergoes a metamorphosis: rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.
In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.
In a world where drought is everywhere, a little village survives thanks to a machine that turns clouds into drinking water. Unfortunately one of the village inhabitants will make the cloud take flight.
A sudden rainstorm is unleashed on a city. Everyone seeks refuge. When the clouds thin out, life continues.
On the verge of a nervous breakdown, a school teacher finds the wisdom she needs in the most unlikeliest of places.
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
A woman with weird superpowers, a turtle with obsessive-compulsive disorder and a cloud with rain incontinence on an unusual journey to the depths of the ocean.
Full of determination and uncertainty, Nutmeg pursues her daydream to escape a dull reality with a Walkman and her case of few sentimental belongings.
The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating.