A look at past diary entries reveals a teenage girl's struggles with body image and depression
A young man writes a diary on his life in London as he comes to terms a painful experience.
Two sisters pontificate on the lives they could have led while observing the current guest, a listless writer, staying in their family’s vacation home in upstate New York.
How can the complex narrative of experience be understood as a coherent whole through the collection of states and thoughts? Since 2016, YR has dedicated itself to the ongoing exchange of its creative processes and focuses on the conscious abolition of any type of judgement. YR uses real life experiences and observations as its basic materials – what emerges is a growing collection of inner and outer realities by way of image, sound and text. The artists see themselves as storytellers who observe and question, document and recycle. This continuum can be understood as a sketchbook without a fixed vision. «notes of forms I» is the first audio-visual collection (journal movie) outside their ongoing blog work, in which YR exclusively uses materials from its artistic processes between January and March 2021
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
Rebellious teenager Wang Ququ is transferred to a new school, unhappy at home and at school he gets in trouble again and again.
A short OVA that was bundled with the limited edition of the eleventh volume of the manga.
Farewell letter to an old love.
Shiroinu writes down the day’s events before he goes to sleep. One day, he opens a drawer buried in the snow and finds old diary entries. He realizes that he’s forgotten the sensations and emotions from that time to the extent that he feels like he’s reading about someone else’s life.
DIARY OF A CO-WORKER is a 2005 feature film created in Saint Louis, Missouri, and largely shot on-location at the historic Hi-Pointe Theatre. An exploration of the adversity faced from all sides as a part of service-industry jobs, it follows the exploits of Morrison (Mort Burke, THE MINDY PROJECT, DRUNK HISTORY) as he navigates co-workers, bosses, and the general public among the daily tasks of movie theatre maintenance and his own sense of self-identity. DIARY OF A CO-WORKER was written and directed by Matt McLaughlin, features music by Kevin Buckley, and has a running time of 91 minutes. Viewer discretion is advised (for strong language and depictions of drug use)
In this video series an individual confronts fears and, through the process of confessing directly to the camera, transcends trauma. It is also about agin, longing, the delusions and misconceptions we are encumbered with as we mature towards self-awareness, and the masks we assume to deny or hide understanding. The tapes rupture, fracture, and use digital effects to mirror the psychological changes of the protagonist.
A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror
A cow dreams away from the barn routine and goes out into the world, becomes a pop star, talks about world peace in the UN, takes a ride in space before she lands in everyday life again.
An unexpected event brings together an unlikely group of students.
Home Improvements, Robert Frank’s first video project, is a simple and poignant diary of consequential events. It is about the relationship between Frank’s life as an artist and his personal life, and how the two are inevitably intertwined. It was made cheaply with a half-inch video porta-pak. Home Improvements takes place in New York and Nova Scotia and in the mental space between these two opposing worlds
One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-screen.