Frédérique has obtained a firm commitment for the financing of her film on excision. At the last moment, however, the bank withdrew. Instead, the director asks her to become one of his many mistresses. The young woman decides to teach him a good lesson...
A film crew is shooting a scene. Their gestures gradually slip into dancing, revealing the beauty lying in the choreography of film sets.
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
Twenty years after the release of Freddy vs. Jason, a XXX Films director gears up for a remake with no clue how to create a family-friendly flick.
Based on a true story, this is a subtle tale of re-affirmation of the identity of the artist following the Armenian Diaspora. It is an encounter with his alter-ego, a dialogue with his own conscience, a gradual dawning of the truth and an authentic glance at life... themes understandable by all. The film is an episode in the life of the director, a life full of surprises, and all the more so for being a cosmopolitan Armenian-American now standing on his native soil, his ultimate source of creative energy and ideas.
Marcos, a prosthetic creator with a traumatic past, finds a corpse in his laboratory. While deciding what to do with the corpse he will have to juggle his strange family life, a zombie movie, the possibility of new love and creating the perfect prosthesis for a very special client.
Fragmented and chaotic. Reality in Królikiewicz's works is usually incoherent, in a state of disintegration, permanently damaged, painfully marked by history. The moral and cultural crisis is clearly visible. You can even see it… by the swimming pool.
In World War II era Los Angeles, the manager of the Culver Hotel leaves his nephew in charge for a weekend. The nephew changes the name to the Hotel Rainbow and overbooks with royalty, assassins, secret agents, Japanese tourists, and munchkins. Secret Service agent Bruce Thorpe and casting director Annie Clark find romance amidst the intrigue and confusion.
A “Dark Web” thumb drive reveals footage of three American filmmakers in rural Quebec researching a historic child murder case. After witnessing several disturbing paranormal occurrences, they attempt to communicate with the spirit of the child.
On December 16th, 2011, eight people on their way to Las Vegas stopped in the ghost town of Garlock, California. This footage documents what happened.
A movie producer who made a huge flop tries to salvage his career by revamping his film as an erotic production, where its family-friendly star takes her top off.
Lights, camera... chickens! Go behind the scenes with the Aardman team and director Sam Fell during the making of this finely crafted stop-motion sequel.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.
Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.