13 movies


February 16, 2019

In our world there is no stability. Our film is one continuous chaos that cannot be controlled.

This is a non-narrative film comprised mostly of long takes of natural events such as the flow of the tide on a seashore, or the leaves of a tree, or the clouds in the sky.


July 20, 2019

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

"This film was presented as part of my 1969 thesis on Max Ernst. It was a personal tribute where I filmed his collages, then intercut live footage I shot with other reference material into a surreal visual collage." - Penny Slinger

"1969 period. In the beginning of this experimental film a figure in white ascends spiral staircases and escalators and moves away from the camera down endless tunnels and corridors. A model in a black leotard is painted white, turned into art. Another is filmed as she ascends to a rooftop, then confronts herself in a mirror in a corner of a room. As Alice went through the glass, so in the last section there are two women reflecting each other instead of just the one.2 - Penny Slinger

Mouths and Masks

July 20, 1969

"In this experimental film from 1969 the seeds are seen of my exploration of the mouth motif, which reached its full expression in the ‘Opening’ exhibit of 1973. I blow on and kiss a mirror, I apply lipstick, I transform into a white statue and paint blood red lips… then I become a mask in a distorted mirror, a face with many lips…In the last sequence I circle my face with a light and transform into the mask." - Penny Slinger

Bride in the Bath

July 11, 1969

"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin. The footage is cut with film I shot of a model lying back in a bath in which black, then white ink is poured. The final images are shot in color from the position of looking down on oneself in the bath and reflected back in a mirror. All are part of my exploration of the female body in water, the body in the bath." - Penny Slinger

1969 Exhibit

June 18, 1969

"A film featuring my work as shown in my 1969 diploma exhibit at Chelsea College of Art. It explores my Mummy Case, then the series of works that are based on a model’s image reflected in a series of mirrors. It shows the game I created where the pieces are glass and mirror geometric forms, moved in relation to each other on three layers. Finally the film passes through some of the Headbox sculptures and Face prints I made, using lifecasts and photographs of my face." - Penny Slinger

Rhythm of Two Figures

June 6, 1969

"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms can come together in various ways. My morphology teacher was also a dancer and he is the one in black moving with the white me in the cube. The film also includes photos I took, a number with multiple exposures, and drawings I did from the photos and from the work of Eadweard Muybridge, whose studies in motion inspired me." - Penny Slinger


June 6, 1987

Chopin "Nocturnes" accompany this study in black and white inspired by Huysman's decadent novel "À rebours".

An abstract look into the mind

In A Year With 13 Deaths

January 1, 2008

Light painting and nature imagery are captured in 13 shots of different points of luminescence, on the 13th anniversary of Schwartz’s mother’s passing, and as a homage to Rainer Werner Fassbinder’s personal 'In a Year with Thirteen Moons' (1978).

Joe Orton Laid Bare

November 25, 2017

Exploring the wit, work and world of Joe Orton through his own words, and the testimony of those who knew him and worked with him.


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