14 years after making a film about his journey across the USA, Borat risks life and limb when he returns to the United States with his young daughter, and reveals more about the culture, the COVID-19 pandemic, and the political elections.
Tasked by MI6 to find the mythological Pandora's Box, an ancient object supposedly containing one of the deadliest plagues on Earth, Lara Croft must beat evil Nobel Prize-winning scientist turned bioterrorist Jonathan Reiss to it.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
When Russian neo-nationalists hijack Air Force One, the world's most secure and extraordinary aircraft, the President is faced with a nearly impossible decision to give in to terrorist demands or sacrifice not only the country's dignity, but the lives of his wife and daughter.
FEATHERED COCAINE is not a wildlife documentary. It is a documentary about the international trade of falcons. After the trade of drugs, people and weapons, smuggling falcons is ranked No 4 in the list of the most profitable illegal trades. Most people are not aware that the effects of the falcon trade has exerted huge influence over thousands of years on politics, economy and society all around the world. FEATHERED COCAINE reveals in an investigative way the contexts between the trade of falcons and historical events, where royal dynasties, institutions like the CIA and the KGB, the oil industry and Al Queda were involved. This documentary was filmed and released shortly before the 'supposed' execution of Osama bin Laden, who CIA Operative Alan Parrot & his Team had met with 6 times between 2004 & 2010. As of October 11th, 2020.
Set in the 15th century, the story follows the formation of the Kazakh state after the death of Genghis Khan and the usurpation of power by one of Khan's descendants, leading the sultans Kerei and Janibek to resort to some nomadic tribes to remove the usurper, hoping for a better life and freedom.
An old man decides to find the body of his son, a Kazakh soldier who died fighting somewhere in Russia, to bury him in the land of his ancestors. Travelling across the land with his grandson, they discover the harsh reality of war. And when they finally find the coveted grave, they realise that many brothers-in-arms are buried with the soldier. Every inch of the great homeland becomes the land of our fathers, the land of the ancestors...
A drama about messed up athlete who tries to regain his career.
For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.
A story about self-taught street fighter who works in the Almaty flea market at day time and takes part in underground fights at night.
A film about the feat of 17 soldiers of the Internal Troops of the Ministry of Internal Affairs of the Republic of Kazakhstan (now the National Guard), who died on April 7, 1995 on the Tajik-Afghan border while protecting the external borders of the CIS.
Aliya, a 36 year old Kazakh lesbian, has, for the first time in her life, tried to play the Green Card Lottery and won. Now she cannot decide whether to leave Kazakhstan or stay. On one hand, Aliya is tired of the stagnation, corruption, and dictatorship of the Kazakh society, she wants changes in her life. But on the other, she is afraid of uncertainty and to start all over again in a foreign country.
A Kazakh spy thriller: In 1921, at the height of the civil war, a Soviet officer is assigned to kill the ataman Dutov, a White collaborator. In order to get close to the ataman he infiltrates his gang.
The film is about a young man who was born on the day when Kazakhstan gained its long-awaited independence. The guy's memories start from childhood. The events in his personal life are closely intertwined with what the whole country was going through.
Dina works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married cameraman. Dina looks after her young sister, a lesbian activist, who regularly finds herself in trouble with the authorities.
Two brothers and their little sister are thrown out of their flat because they haven't paid the rent. The orphans pack up their few possessions and go out to the country, where the family owns a small plot of land. The children set up camp, knowing they have to fend for themselves. But this solution is insecure, too: they are told, in no uncertain terms, that all plots will shortly pass to the state unless at least the foundations of a house have been laid. The threesome get down to work, making night-time visits to neighboring sites to 'borrow' tools and materials, then building by day. But no sooner are the foundation walls complete than an unsympathetic policeman ad...
From the lush and green grass of the Kazakh Steppe to the glorifying architecture of its capital, from its giant open-air mines to the traces of invisible nuclear power, Kazakhstan is here captured in fragments. A fake observational film, but a genuine geographical and historical journey, through the remnants of the Soviet past and the contemporary capitalist ambitions of the country.
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival.
Kyz-Zhibek - Kazakh poetic folk legend of the 16th century, tells about the period in the Kazakh nation when the people suffered from bloody feuds. In those times each province of the Kazakh nation had its own Khan and each tried to supersede the other. The love story of Tolegen, the brave warrior, and the beauty Zhibek ends tragically because of inter-family strife. Tolegen is foully murdered by Bekejan (the batyr, or nobleman, of the rival family), who earlier strived for the hand of Zhibek. Zhibek commits suicide after learning about the death of Tolegen.
A Jewish child deported to Kazakhstan is saved and adopted by Kasym, an old Kazakh railway-man. Kasym gives him a Kazakh name, Sabyr, that in Kazakh language means humble. The child grows up in the small Kazakh village along with other deportees Vera, a traitor's wife, and Ezhik a Polish doctor. The Soviet militia harasses the poor peasants and Vera suffered the harassment of a bully cop: Bulgabi. Finally Vera accepts the marriage proposal of Ezhik but the jealous Bulgabi tries to prevent the marriage. The result is a fight in which Ezhik shoots himself accidentally. The old Kasym decides that Sabyr is now old enough to go to seek his real parents. At the end Sabyr, now an adult, decides to return to the village, but the village no longer exists because it was destroyed by a Soviet nuclear test.