Berlín, 1942. Bruno tiene ocho años y desconoce el significado de la Solución Final y del Holocausto. No es consciente de las pavorosas crueldades que su país, en plena guerra mundial, está infligiendo a los pueblos de Europa. Todo lo que sabe es que su padre -recién nombrado comandante de un campo de concentración- ha ascendido en el escalafón, y que ha pasado de vivir en una confortable casa de Berlín a una zona aislada. Todo cambia cuando conoce a Shamuel, un niño judío que vive una extraña existencia paralela al otro lado de la alambrada.
Traicionada por su amante, una despiadada asaltante (Jean Gillie) no repara en medios para recuperar el botín que su ex le quitó, y destruye a todo (y todos) lo que se pongan en su camino...
A debutante's (Helen Twelvetrees) brother (Robert Young) stands trial for killing her no-good lover.
Un retrato de la vida y carrera del infame diseñador estadounidense de dispositivos de ejecución y negacionista del holocausto.
Cuando un grupo de prisioneros es transferido al campo de concentración de Buchenwald, un niño judío de cuatro años aparece en el campo dentro de una maleta. Un grupo de prisioneros decide ocultar y proteger al niño... (FILMAFFINITY)
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Story of seven Auschwitz prisoners who have been given thirty days to live, during which they would be gassing and then cremating the transports of deportees and, in the end, be gassed and burned themselves. Based on the play by Djordje Lebovic and Aleksandar Obrenovic.
El Padre Charles Clark es un sacerdote jesuita dedicado a ayudar a miembros de pandillas a buscar el buen camino, a ex convictos a volver a ser parte activa de la comunidad, enfocándose la historia en Billy Lee Jackson, quien lucha por salir adelante. Una vista de la pena capital, sentenciado a muerte.
In the mid-1950s, mayor Zwischenzahl is killed on the day of his inauguration in a West German town. The killer is Ruth Bodenheim, a Jewish woman, who wanted to avenge the death of her parents. Zwischenzahl, a former SA member, was apparently involved in the deportation of her parents to a concentration camp during the war. Ruth cannot bear the horrible events and the death of her parents and wants to open the eyes of the town′s residents.
A camera crew follows Edward Earl Johnson, a man falsely convicted of rape and murder, during his last 14 days on death row. Everyone involved is interviewed, Johnson himself, his family, the warden, prison guards and other inmates. We also witness the futile attempts by his attorney to save his life.