Uma família coreano-americana se muda para uma fazenda no Arkansas em busca de seu próprio sonho americano. Em meio aos desafios dessa nova vida, eles descobrem a inegável resiliência da família e o que realmente faz um lar.
Uma família passa a noite em um parque remoto, mas tudo muda quando eles começam a ser perseguidos por três psicopatas mascarados.
In forgotten towns along the American border, a young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.
Um jovem viúvo evita a dor, a perda e a disfunção familiar quando rouba as cinzas de sua esposa e embarca numa odisséia impulsiva através do coração da América para encontrar algo que ele havia perdido muito antes de sua morte.
A family's camping trip at Big Rock National Park becomes a terrifying fight for survival.
Sheldon Bart (Fred Ward) is a drifter, and a small-time con man. He meets his old friend, Brother Bud (Harry Dean Stanton), a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene (Cindy Williams), a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.
In upstate New York, two teenage boys are tasked with cleaning out their father's old mobile home on an abandoned property, but the boys are in for a surprise when they discover three crooks on the run have taken refuge in the trailer.
O pai de Ji So vai à falência. A família dela perde sua casa e eles não têm um lugar para viver. Um dia, Ji So vê um panfleto oferecendo uma recompensa de $500 para um cachorro perdido. A jovem, então sai para roubar cães de famílias ricas para ganhar o dinheiro da recompensa.
Best friends, Lucy and Julie, agree to house sit Lucy’s grandma’s mobile home while she’s vacationing on a psychic-themed cruise. Their peaceful summer is interrupted by a mysterious albeit persistent neighbor. Lucy and Julie agree to avoid this stranger by never leaving the house, until Lucy runs out of her antidepressant, and the girls are finally forced to face him.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
