Mercedes works as a cabaret performer to pay for her sister's studies. Problems begin when Mercedes and Paco, her exploiter, win a dance contest, but he refuses to share the prize with her.
Félix rebolledo is a pimp who owns a cabaret, two bingo halls and three dating houses. He now intends to open a party hall, and for this he has - as he always has - the support of the Bishop, whom he has bribed with frequent donations. Counting on the support of the Church, it will be much easier for him to have the approval of the City Council, although, on the other hand, he also has bribed, among others, the mayor and the president of the Council of the Deputation.
Biography of the African-American who became a major performer in the Paris cabarets of the 1920s and 1930s. The film follows her life beginning as a struggling performer in 1917 St. Louis, her frustrations leading to her move to France, and follows to her death in 1975. Written by John Sacksteder
Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.
It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.
A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.
Shaw Brothers superdirector Li Han-Hsiang was particularly masterful in two genres: erotica and classic Chinese tales. He combined these two loves in this two-part examination of lust. The first story features an elderly jeweler's adventures with his unsatisfied wife, a handsome neighbor, and the neighborhood bordello. The second is a more modern tale of sex, lies, and videotape.
To earn extra money, a prim schoolteacher takes a second job as secretary to the uncouth owner of a boisterous nightclub.
Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.
Gabriel Iglesias is one of the fastest-rising comics today! With his unique brand of humor, lovable stage presence and wide range of voices and impressions, it's no wonder that he already has a huge fan following. Now you can see Comedy Central's "Comic of the Year" in his sold-out performance at the historic Fox Theatre in Bakersfield, California!
What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.
On a ranch in Wyoming, one of the cowboys, Cheyenne Harry (Harry Carey), falls in love with his boss's daughter. But she decides to elope to the city with Captain Thornton, a wealthy visitor to the ranch. She quickly discovers that life in the city is not what she expected. Cheyenne, devastated by the loss of his fiancée, decides to go to the city to find her, and in the end rescues her from the grips of Captain Thornton and from the extravagant and decadent way of life in the city.
In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.
In the port of Havana, two biracial children, Mateo (Ricardo Román) and Caridad (Ninón Sevilla) grow up together. She is the daughter of a white man who died in a shipwreck and of a black laundress of African origin. Over the years, Mateo falls for Caridad, but she doesn't love him back because she has fallen for a Mexican captain, Martin (Pedro Armendáriz), who she happened to meet at the port. The captain also fell in love with Caridad and proposes that they live together and she accepts. Caridad works in a cabaret in the port and the owner, Guevara (René Cardona), feels an attraction for the girl, and in a moment of jealousy, tries to kill Martin. Martin falls into financial trouble and has to mortgage his boat to Guevara. When Martin returns to Veracruz, Mexico, Guevara feels that he's the new owner of Caridad.
It is a Zeki-Metin comedy that satirizes the bans in the Republic of Turkey.
Joe, Okita, and Serizawa hear of the armed robbery of a truck carrying one billion eighty million yen's worth of Mint paper. Knowing that the thugs will now need a counterfeiter to make the bogus bills, they each decide to cash in on it by selling them the idea that they need Sakamoto, the best counterfeiter in Japan. A seesaw game unfolds between the three men as each tries to outdo the other two in handing over Sakamoto for one million yen to Hijikata, the big boss, who intends to make counterfeit money with the stolen paper. A little belatedly, they realize it needs their combined forces to outwit Hijikata and they raid his place together. Outnumbered, however, they are thrown into a basement room and the gas is turned on. Certain death stares them in the face, but the three men are not ones to take things lying down....
Erik lives by night. He works in a nightclub and occasionally dresses up as a woman to rob rich clients. One day Erik's father arrives uninvited. It's a surprise visit that brings out memories of complicated childhood.
With “Totally Crazy”, the glamor, daring, and impertinence that are the very DNA of Crazy Horse Paris are showcased into a different, more immersive format. The driving desire of this show it to invite the audience to experience fabulous moments of complicity and sharing around iconic acts that have contributed to the Crazy Horse Paris legend.
This ultra-kitsch documentary goes behind the scenes at Murray's Cabaret Club, where Christine Keeler was later a showgirl.