The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.

A father struggles to maintain life with his two young daughters amidst the unknown return of their drug addicted mother.

Directed by nine Indigenous Solomon Island filmmakers, this is both a love letter and lament for the eponymous traditional lands.

Public health physician Noel Nutels' ideas and the footage he made of Brazilian indigenous peoples between 1940 and 1970 come together to denounce the historic massacre against native communities.

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.

Accused of the genocide of Mayan people, retired general Enrique is trapped in his mansion by massive protests. Abandoned by his staff, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes.

Warru, or black-footed rock-wallaby, is one of South Australia's most endangered mammals. In 2007, when numbers dropped below 200 in the APY Lands in the remote north-west of the State, the Warru Recovery Team was formed to help save the precious species from extinction. Bringing together contemporary science, practical on-ground threat management and traditional Anangu ecological knowledge, this unique decade-long program has celebrated the release of dozens of warru to the wild for the first time.

Until the 1950s, the Waorani were able to successfully defended their area of settlement – today’s Yasuni National Park in the Ecuadorian Amazon – with the aid of spears. Then Christian missionaries entered the thick rain forest and paved the way for an oil company. Nowadays many of the tribes are estranged as some want to benefit from the short-term money the company is offering while others fight to preserve their land, culture and independence under all circumstances.

This is a trilogy about Norway’s shame.

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.

Kimberley Traditional Owners question what meaningful negotiation looks like and offer humanising portraits of those at the centre of this battle in Australia’s spectacular north-west corner, which governments aspire to make "the future economic powerhouse of Australia". With the highest percentage of Aboriginal people living on Country in Australia, what will this mean for the Kimberley’s custodians, lands and cultures, and will they survive these pressures?

In 1890, Catherine Weldon, a painter from New York, travels to North Dakota to paint a portrait of Sitting Bull and becomes involved in the struggle of the Lakota people to get the Government respects their rights over the land where they live.

A rebellious young man nicknamed Tano and a shy Mapuche boy named Cheo bond together by facing the violence and prejudice they carry during their complicated adolescence.

A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.

Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.