Truman Burbank nasce ripreso da una telecamera. Poi, per trent'anni continuerà ad esser ripreso a sua insaputa da telecamere che lo seguiranno in ogni luogo della sua vita, per strada, al lavoro, a letto. Lui non lo sa, ma fa parte di uno show televisivo. Tutto ciò che c'è intorno a lui è un set, le persone sono attori e comparse, le case, la polizia, i vigili del fuoco, tutto è set, persino l'acqua del mare è fasulla. Sua moglie e il suo migliore amico sono attori. Sopra tutti c'è Christof, dio-demiurgo-produttore, che gestisce la vita del poveretto. Naturalmente tutta l'America impazzisce per il programma verità, in virtù della regola del voyeurismo, molla televisiva irresistibile. Poi Truman ha qualche sospetto, diventa sicuro del trucco e cerca di scappare più volte.
This Our Gang short has the group playing pirates and building a ship to sail in. Once the ship hits water it sinks but they end up on another boat when the dog unties the rope and the kids head off to sea where they must be rescued by the Navy.
Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
A Vitaphone Varieties short. Features costumed children in a cavern-like land of make-believe where they sing and tap-dance. Marjorie Kane sings an introductory song. A very young Judy Garland, in one of her earliest surviving film appearances, performs the song "The Land of Let's Pretend" as part of the vaudeville act "The Gumm Sisters".
Rik and his dad Paul are bullied by the kids in their neighbourhood. Rik wishes his dad would be tougher. Inspired by a mafia movie he saw on TV, Rik fantasizes about being the son of a mafia boss. Everybody would show him respect. So when his dad is promoted and they move to a new town, Rik decides to tell everybody his dad really is a Mafia boss - but what happens when his lies turn against him?
A group of children begin playing a game of Nerf at Ryan’s Birthday party. However, when their imaginations get away from them we start to see how each kid truly sees themselves.
A celebrity petroleum engineer discovers a rundown property in Park City.
The precocious and fiercely independent Aima tells her babysitter that the Witch they created in a game of make-believe will never stop chasing them. While the babysitter initially tries to deny Aima’s insistence that the Witch is evil, soon they follow Aima into a world where imagination rules and wildness, magic, and delight are hidden around every corner. Their adventures bring them together with fairies, ghosts, star-lovers, and UFOs, and as they march toward their showdown with the Witch, the unreal becomes reality and the lines between good and evil are blurred. As Aima and her babysitter draw closer and closer to facing down the Witch and the source of her powers, the babysitter must come to terms with what they lost and gained by growing up and learns that sometimes we have to let go to return.
Two little boys "battle" their toy pirate ships in a pool. The crews of both sea vessels are made of caricatures of such 30's era stars as Charles Laughton (as Captain Bligh), the Three Stooges, Wallace Beery, Jimmy Durante, Laurel & Hardy, and the Marx Brothers.
A newly wed couple cannot pay the installments for their house. Thus, Irene finds a secretary position at the firm George is working at, pretending she is George's sister. The company director, a womanizer, is flirting with her and asks her to marry him, while his sister starts flirting with George . . .