Go behind the scenes of StarKid Homecoming: the biggest reunion of StarKids ever! Over the course of three wild days, almost everyone who's even been in a StarKid show came to Los Angeles to celebrate a decade of A Very Potter Musical and StarKid shows. This featurette (unlocked as part of the 10niversary Kickstarter) takes you backstage and into rehearsals as the whole show came together.

Liverpool. 1947. Right after World War II, a star struck naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue and learns about the grown-up world of the theater

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

The assistant stage manager of a small-time theatrical company is forced to understudy for the leading lady at a matinée performance at which an illustrious Hollywood director is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza.

Within the world of theatre the rehearsal room is a sacred space -- the private domain where boundaries are pushed, risks taken, mistakes made, vulnerabilities exposed and, at its very best, magic created. It's not a place into which the public is often, if ever, invited. Until now; In The Company of Actors features an ensemble of Australia's finest actors, including Cate Blanchett and Hugo Weaving, as they prepare to perform the Sydney Theatre Company's production of Hedda Gabler, at the prestigious Brooklyn Academy of Music in New York. Opening night is just five weeks away and the pressure is on.

The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.

Bangarra means making fire, and for 30 years the Bangarra Dance Theatre has blazed fiercely. This is the story of Australia’s most renowned arts company, it’s the story of three brothers — Stephen, Russell, and David Page — and it’s the story of the way that art can become a weapon that helps people to survive and a nation to heal.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

A gentle portrait of the mythical Spanish actor Arturo Fernández (1929-2019) in the hour of his passing, in his own words, through his latest interviews, not previously broadcast, and the words of those who knew him thorough decades of charming and good performance on stage, his true home, as well as in cinema and television.

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?