After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Risking his life, Luke ventures to Rome to visit Paul -- the apostle who's bound in chains and held captive in Nero's darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he's been forgotten as he awaits his grisly execution. Before Paul's death, Luke resolves to write another book that details the birth of what will come to be known as the church.
Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan's concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him. In the meantime, Emperor Nero accuses Christians of having started a great fire in Rome. He encourages the imprisonment, torture and murder of his Christian subjects.
Roman teenager, Atti is forced to join the Roman army when one of his clever schemes falls foul of Emperor Nero. He is sent to "miserable, cold, wet Britain" where "the natives are revolting - quite literally". Things go from bad to worse when Atti is captured by Orla, a feisty teenage Celt desperate to prove herself as a warrior.
A funny thing happens to Lurcio (Frankie Howerd) on the way to the rent-a-vestal-virgin market stall. A mysterious scroll falls into his hands, listing the names of all the conspirators plotting to murder Emperor Nero. And when the upstart slave is elected to infiltrate the ringleader's den, the comical ups-and-downs lead to total uproar.
After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous.
Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
The TARDIS crew take up residence near Rome in 64AD, where Ian and Barbara are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...
As the Roman Empire slowly declines, Caesar Nero indulges himself in every known debauchery, including incest with his mother.
Pushed by his mother Agrippina, Neron seized power at the expense of Britannicus. His poetry makes him commit numerous crimes. He will die stabbed after having killed his wife, his mother, his advisers, his wife's lovers, and an incredible number of Christians ...
Love conquers all – ruthlessly and irresistibly – as Emperor Nero and his mistress Poppea remove the obstacles to their union. At Barcelona’s Gran Teatre del Liceu David Alden’s visually sumptuous production, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern– just as the action juxtaposes scurrilous comedy and stark drama. Monteverdi’s magnificent score, meanwhile, accommodates intrigue, wit, nobility, tragedy and sensuality, and, led by the intense Sarah Connolly and the delectable Miah Persson, the cast brings both drama and music startlingly to life.