Set in a near future where AI is all the rage and nature is becoming a distant memory, Rachel and Alvy are a New York couple ready to take their relationship to the next level and start a family.
Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good.
Felix and Martha, the two offspring of legendary serial murderer The Skinner of Mons, grapple with the grotesque legacy bequeathed to them. While Martha works a menial janitorial job, Felix continues his father's reign of terror. But following a brutal attack at work, Martha quickly descends into madness, finding she must come to terms with the infamous blood that flows through her veins.
Wealthy socialite Charlotte Cartwright and her dear friend Alice Pratt, a working class woman of high ideals, have enjoyed a lasting friendship throughout several decades. Recently, their lives have become mired in turmoil as their adult children’s extramarital affairs, unethical business practices, and a dark secret threaten to derail family fortunes and unravel the lives of all involved. Charlotte and Alice decide to take a breather from it all by making a cross-country road trip in which they rediscover themselves and possibly find a way to save their families from ruin.
Meg is a young wide-eyed girl who is endures many calamities in her search for a husband in modern-day New York. After losing her suitcase at Penn Station, being kicked out by her roommate, and changing bosses because her boss made a pass at her, she finds herself looking for work at a Manhattan motivational research agency run by punctilious Miles Doughton and his playboy brother, Evan.
Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.
Women cope with various problems while earning a living in the city.
Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.
A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
Continuing the tradition of national artist Ishmael Bernal's benchmark film Working Girls after 25 years, Working Girls of 2010 depicts the role of women in the new millennium. Seven women of different backgrounds, stories and personalities entwined in a colorful story of family, love and life.
Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.
Amidst the daily din of the local trains in Calcutta, a lonely working woman in her late fifties finds herself falling in love with the voice of the railway announcer.
A successful businesswoman falls in love with one of her much younger factory workers. She doesn't know that he is in love with her younger sister.
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.
During a trip to the Philippines, middle-aged Norwegian Lars has met the Filipina he wants to share his life with, but to his surprise she turns him down. Lars now has to face his own prejudices and deal with this uncomfortable situation.
Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.
Lizette, a waitress in a donut shop in small town has a milestone birthday coming up that she's not happy about. The only thing that could make it better is if her husband Terry buys her tickets to a Dan Hill concert in Toronto she wants to see. The problem is he will only go if his friend Simon goes and only if Simon has a date. The only person Lizette can find is Cheryl-Ann, a permanently happy, innocent waitress at the same donut shop, whom Lizette can't stand. When the night finally comes, things don't go as planned.