From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...

A tragic love story set in East Berlin with the backdrop of an undercover Stasi controlled culture. Stasi captain Wieler is ordered to follow author Dreyman and plunges deeper and deeper into his life until he reaches the threshold of doubting the system.

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

A journey from the North to the South during the last year of the GDR. Laborers and puny girls, mothers, intellectuals, young and old are being interviewed about humanity, they criticize and give hope. They are strong and self confident women who have to eke out a living but still smilingly tell of a world full of contradictions. Awards: Silver Dove, Leipzig 1988.

Die Brüder Kipp (Joachim Król) und Most (Horst Krause) machen sich auf den Weg, um das Gut ihrer Oma zu erben. Auf diesem Weg begegnen sie Viktor (Konstantin Kotljarov), einem desertierten russischen Soldaten, der die beiden kidnappt und Nadine (Sophie Rois), die sich ihnen freiwillig anschließt. Zwischendurch gibt es noch einen Zusammenstoß mit Straßenrowdies, was diesen allerdings nicht gerade gut bekommt. Auf ihrem Weg zum Erbe (oder was davon übrig bleibt) geraten die Protagonisten in manche scheinbar ausweglose Situation.

Two families attempt a daredevil plan to escape the GDR with a homemade hot air balloon, but it crashes just before the border. The Stasi finds traces of this attempt to escape and immediately starts investigations, while the two families are forced to build a new escape balloon. With each passing day the Stasi is closer on their heels – a nerve-wracking race against time begins.

An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.

Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander--a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt--travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.

An affectionate and refreshing East/West-Germany comedy about a boy whose mother was in a coma while the Berlin wall fell and when she wakes up he must try to keep her from learning what happened (as she was an avid communist supporter) to avoid shocking her which could lead to another heart attack.

Flanders, a famous female author, travels 1989 after the fall of the Berlin wall into the German capitol. She is deeply depressed of the events because she saw the communistic states as a very good thing that has now ended. In the joy of these days she finds no person to understand her, so she has to travel back to Munich. After meeting several people, known and unknown, it seems as if there will be no way to go.

Inspired by true events, Olympic swimmer Harry Melchior defects from East Germany in the 1960s and hatches a daring plot to help his sister and others flee East Berlin through a 145-yard underground tunnel.

The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.

Jan Landers made it: Grown up in East Berlin, he quickly made his career after the turnaround: from the weatherman of a local station to the newsreader in Hamburg.

Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.

A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.