An estranged family gathers together in New York for an event celebrating the artistic work of their father.
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
A womanizing sculptor seeks help from a psychiatrist to cure him of his obsession with women.
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.
Lily Whitmore is the heir to a crumbling factory that she's determined to restore to its former glory. Unfortunately, Lily must instead turn her attention to the conniving Lionel Filmore who's determined to marry into the family no matter what.
Simon Cordier, a French magistrate and amateur sculptor comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control.
Growing up in the sheltered confines of a 1920s English coal-mining community, free-spirited sisters Gudrun and Ursula explore erotic love with a wealthy playboy and a philosophical educator, with cataclysmic results for all four.
Verena is a nurse who arrives at an old mansion in Italy to help a young boy who has fallen silent since the sudden passing of his mother.
Walter Paisley, a busboy at a cappuccino bar called the Jabberjaw, is praised as a genius after he kills his landlady's cat and covers it in plaster. Pressured to produce more work, he goes after bigger subjects.
Eric, a gifted sculptor, has a stormy, erotic, and star-crossed romance with a beautiful young woman named Olga.
An isolated sculptor is visited by his three sons just before the start of WWII.
Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.
In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.
Two live store window mannequins witness a murder late at night.
A writer attempts to raise some cash by writing a book about the Loch Ness Monster. No publisher will take it because they all think there isn't really a monster. The writer and some of his friends make a fake monster and take photographs and then travel to Scotland to see if they can convince the locals.
In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
A New York sculptor who opens a wax museum to showcase the likenesses of famous historical figures runs into trouble with his business partner, who demands that the exhibits become more extreme in order to increase profits.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?