After a sight-restoring surgery leaves him seeing surreal distortions, a photographer must rely on his camera to discern reality from illusion as he ventures outside for the first time.
Threshold to the Kingdom sees artist Mark Wallinger play with the symbolism signalling a change in being. Slow motion footage of people arriving at London City Airport shows them delivered from the stateless limbo of international airspace to the sovereignty of UK soil and all it represents.
The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.
A surrealist animation of the Sarah Lawrence College art building.
Experiment film, puppets are made in ceramics and photographed
An onion talks about their dreams. Final piece at Aardman Academy. Audio from Aardman Archives.
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
A brief and experimental ode to the humble dandelion, shot on 16mm developed using an eco-processor made of dandelions.
Dim evenings of October, soaked in dull umber, scored by an orchestra in ugly chorus. In such hallow times, we turn them out onto nights we cannot ourselves face.
two young are trying to sleep, one to continue his dreams as being someone else, another just to witness the fear and despair. They are fighting against the forever-noon sun that blazes and invades their room among the city of Bangkok, the dust, the death, and the skyscrapers
A small tribute to Rainer Werner Fassbinder (1945-1982).
Borrowing from an anthropological study initiated through the University of California in 1969, The Taste of The Name is a fantasia on universality. As a parallel to the elusive “umami” and its gradual scientific acceptance as a primary taste, we consider what is perceivable, knowable, and namable. Through the blue spectrum of various hermetic artifices, we are fed fables of Jules Verne's Nautilus and resurface in a virtual tanning bed, turning over in a slippery navigation of language.
Alberto does an experiment that he believes will change the world, but when he bumps into his childhood friend, things get out of control.
SUMMER. HEAT. SWEAT. CHILDREN'S LAUGHTER. ALL BECOMES DARKNESS.
A character lies submerged in erotic dreams in the solitude of a room, while a voyeur entity observes it from a window. Two worlds collide and it is the most perverse that ends up exercising its domain. Here sexuality is a dangerous issue and anyone who gets involved in it will be a victim of the absurd, violent and disturbing.
A letter film for Abbas Kiarostami
The mad biology student Henry Degowski has bred a cross between a human and an insect in his basement laboratory. He lovingly raises it with human flesh. But the full-grown mutant gets out of his control. This calls Lieutenant Frank Steele of the Houston Police Department to the scene.
Tiny and fragile, they wander in immensity, drifting with currents. Their migrations are accidental, their deployments are spectacular. Shaped like matter in a pictural experimentation, here are some wanderings, in the world of silence… the black abysses of Saguenay and the clear waters of the Saint-Laurent.