Facing WindowsJune 17, 2004
Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.
IrisDecember 14, 2001
True story of the lifelong romance between novelist Iris Murdoch and her husband John Bayley, from their student days through her battle with Alzheimer's disease.
UnknownNovember 3, 2006
Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.
Magnetic RoseDecember 23, 1995
Koji Morimato’s animated science fiction short story about how the boarder between reality and illusion on a space station become blurry.
The Sad SackNovember 27, 1957
Private Meredith Bixby is so out of step in the Army that his six weeks of planned basic training has now stretched to 17 months. After he loses a tank, WAC Major Shelton, a psychologist, is assigned to make a good soldier out of him. She requests Corporal Dolan and Private Stan Wensalawsky to help with the training. Dolan and Stan both have scores to settle with Bixby and their "guidance" leads to more mishaps. Sergeant Pulley has them shipped out to Morocco. On leave in North Africa, Bixy wanders alone into a bar, has a few Moroccan Delights, which he thinks are malted milks, and becomes convinced that exotic singer-dancer Zita is THE girl for him.
Train BirdsJanuary 1, 1998
Hannes is a beer-truck driver in Dortmund. His biggest dream is to win the first prize at the International Time-Table Contest in Inari (Finland). When his new boss cancels his extra holidays to go there, Hans goes mad... On his journey to Finland by train, followed by the police, he meets lot of folks and the love of his life.
Ghost DanceDecember 15, 1983
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'