When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.
A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.
Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?
This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
A trashy blonde lures a saloon owner away from his wife.
A young woman's suicide attempt is stopped by an old man passing by. The two fall in love -- but the relationship between the young girl and old man is threatened when a blackmailer from her past shows up.