Ford Brody, a Navy bomb expert, has just reunited with his family in San Francisco when he is forced to go to Japan to help his estranged father, Joe. Soon, both men are swept up in an escalating crisis when an ancient alpha predator arises from the sea to combat malevolent adversaries that threaten the survival of humanity. The creatures leave colossal destruction in their wake, as they make their way toward their final battleground: San Francisco.
Scientist Will Rodman is determined to find a cure for Alzheimer's, the disease which has slowly consumed his father. Will feels certain he is close to a breakthrough and tests his latest serum on apes, noticing dramatic increases in intelligence and brain activity in the primate subjects – especially Caesar, his pet chimpanzee.
Bruce Banner, a genetics researcher with a tragic past, suffers massive radiation exposure in his laboratory that causes him to transform into a raging green monster when he gets angry.
Geophysicist Dr. Josh Keyes discovers that an unknown force has caused the earth's inner core to stop rotating. With the planet's magnetic field rapidly deteriorating, our atmosphere literally starts to come apart at the seams with catastrophic consequences. To resolve the crisis, Keyes, along with a team of the world's most gifted scientists, travel into the earth's core. Their mission: detonate a device that will reactivate the core.
Dangerous missions are the bread and butter of the Thunderbirds, a high-tech secret force employed by the government. Led by Jeff Tracy (Bill Paxton), the Thunderbirds are at the top of their game, but their nemesis, The Hood (Ben Kingsley), has landed on their island and is attempting a coup by using the team's rescue vehicles. He'll soon discover that the Thunderbirds won't go down.
A prototype enhanced human, on the run from Chinese-hired hit men, hooks up with a dread-locked bystander, and the two of them elude their pursuers narrowly each time.
Herbie is a car - but no ordinary car. The story follows the Volkswagen Beetle with a mind of its own from the showroom to the race track, with various close escapes in between. Three further Herbie movies were to follow.
Kenny is an ice cream vendor in Chicago with a crisp white uniform and an apathetic heart. When he encounters Lolita, a sharp-tongued but despondent insurance actuary, their heated conversation, natural spark and mutual hopelessness lead to an unusual proposal for a meet-cute: to travel to San Francisco, where they will jump off the Golden Gate Bridge together.
Sundance-and-Emmy-Award-winning filmmaker Judy Irving (with her first film since the widely acclaimed and loved “The Wild Parrots of Telegraph Hill”) follows a wayward California brown pelican from her “arrest” on the Golden Gate Bridge into care at a wildlife rehabilitation facility, and from there explores pelicans’ nesting grounds, Pacific coast migration, and survival challenges of these ancient birds, sometimes referred to as the flying dinosaurs. The film is about wildness, and asks the following questions: how close can we get to a wild animal without taming or harming it? Why do we need wildness in our lives, and how can we protect it? PELICAN DREAMS, stars “Gigi” (for Golden Gate) and Morro (a backyard pelican with an injured wing).
This program tells the story of a hustler and self-promoter, a man who had never designed or overseen the building of a suspension bridge. Joseph Strauss spent thirteen years wrangling with politicians, arguing over designs and fighting lawsuits from opponents before he was able to break ground. By completion, Strauss, his designers and his construction crews had built what has since been called one of the "Seven Wonders of the Modern World."
Carlo Roma and his foster-son, Toma, and their friend Beppo, are living a happy fisherman's life in San Francisco until Carlo's widowed sister-in-law, Stella, shows up with her brat-son, Rudolph, and takes over. Poor Toma gets his feelings hurt and the idea he "isn't wanted" and runs away
This Traveltalk series short celebrates San Francisco, past and present.
Super-light lyrical entertaining quickie film of a Golden Gate soft shoe crossing.
A film that uses literary, structural, autobiographical, and performance metaphors to construct a series of tableaux that evoke the act of vision, the limits of perception, and the rapture of space.