After the loss of his mother, a boy uses his imagination to escape reality, creating and playing characters. As a result, despite their grief, his family needs to do everything they can to deal with the boy's fantasies.
A hymn to love and life, this film without commentary establishes through images a striking parallel between the serenity that times of peace bring to men and the anguish caused by the disasters and horrors of war. Archival footage, in black and white, was used to illustrate the moments of combat while an extremely agile camera captured in color the rural setting in which a young couple of lovers frolic. Hymne à l'amour et à la vie, ce film sans commentaire établit par l'image un saisissant parallèle entre la sérénité qu'apportent aux hommes les temps de paix et l'angoisse qu'engendrent les désastres et les horreurs de la guerre. Des métrages d'archives, en noir et blanc, ont été utilisés pour illustrer les moments de combat tandis qu'une caméra extrêmement agile a capté en couleurs le décor champêtre dans lequel s'ébat un jeune couple d'amoureux.
There is a man and a woman in a car. They inadvertently become tense due to the hijab of the woman's hair. In fact, if the woman's hair is seen, they will be caught by police cameras in the streets. The man constantly tells the woman to bring her scarf forward and keep the hijab so that his car is not confiscated by the police, And this is the beginning of the story...
While her relationship with her mother worsens, a grieving young adult wants to see her father, one last time...
The Grimaldi family is very dysfunctional as they have lost respect, communication and trust between their parents and children causing a memorable conflict.
At a dusty crossroads in the desert city of Niamey, Niger, a crippled beggar is sitting in his wheelchair. He is Philippe Koudjina, who was once a successful photographer. In 1960s during the euphoria that followed independence, young people danced the twist and rock ‘n’ roll. Koudjina took snapshots and made a good living. Now, his negatives are decaying in a rusty cabinet. These snapshots now have artistic value. In Paris and New York, large sums are paid for photography like this. There is hope for Koudjina as two French connoisseurs are now trying to launch his work on the art circuit.
Chapter and Verse is an experimental documentary that traces the image legacy of Northern Ireland's recent troubles via its contemporary landscapes. The camera roves with fierce curiosity amongst the Orange Order Parades, the raging 11th Night Bonfires of Belfast, the wall paintings of Londonderry, empty border-lands, murder-sites, cemeteries, home interiors, town and city streets whilst exploring how the troubles are both revealed and concealed by the Northern Irish landscape. Interviews with a mix of Northern Irish politicians, religious figures and victims of the troubles, including Rev. Ian Paisley and Bishop Emeritus of 'Derry Edward Daly, combine in a cinematic study of the complex effects of Northern Ireland's conflict history suspended in language.
A story about a girl and her inner demons.
Over most of two decades, Abu Mohammad al-Jolani’s life has been a roadmap of Islamist militancy in Iraq and Syria. Designated a terrorist by the United States, the powerful Syrian militant now seeks a new relationship with the West.
Three couples of friends, going off for the week end, are lulled into redrawing their Map of Love by the spring days.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
Armand receives a letter that reminds him of a forgotten dream. Chained to his daily life, his family, his friends, he realises that he must take life in his hands.
'Haftasonu' tells the story of Hasan, who travels to Cyprus after many years following the death of his father. As he spends a weekend in his childhood village, his sense of belonging and identity will be questioned by all within. Following a festival run in 2016 and 2017, the film is now available for viewing here: https://vimeo.com/161152843
A clever little monkey remembers to keep his wits about him when the bigger monkeys encroach on his bounty of bananas.
A documentary film tells the true story of the locals in southern of Thailand through the life of 4 families that live in different provinces, but hand and share their kindness to one another. The reality of their life is arranged into the story disclosing beautiful sides of the southern of Thailand and changing the point of view about the violence that's been happened in the area.