Disappearing Man is an intimate film portrait of TriBeCa artist Robert Janz - whose ephemeral, streetscape water paintings reflect on the impermanence of the artist’s own life. Robert Janz’s unique artistic medium is water on brick, stone or concrete. He paints totemic words on New York City façades and sidewalks. Janz’s self-erasing word paintings challenge the serendipitous viewer to reflect on the contradictory nature of artistic practices that often capture and immortalize both a fleeting moment in time and the mortal artist that captured it. In capturing this story of the artist at work, the film evokes Janz’s philosophical musings on practicing an art form that is very much a metaphor for his own mortality. Both the filmmaker and the viewer clearly become not just observers but students of Janz and his art.
When desire is stronger than physical strength, and the consequences are immeasurable, we are left with a radical journey of an elderly person who wants to skate in order to feel alive again.
Running away form his afflictions, Oscar lives isolated with his little bird, Pituco
Eleni asks for a fig on her deathbed. Her husband Kostas goes to the nearest fig tree to get one. Time is running out and Kostas is old. With a fig in his hand, he struggles through a rugged natural landscape to get home in time and fulfil his wife's last wish.
A man is sitting on a bench in the middle of the desert. The world around him starts to develop and prosper rapidly, deserts turning to pastures and then to modern buildings. The man watches these developments with the change of generations until global wars break out. Eventually, all developments vanish and the scene goes back to the desert
An elderly man one day realises that he will leave his wife for the much younger Maria. His wife reacts stoically. She is neither angry nor unhappy but thinks he should be allowed to sow a few wild oats. She is convinced that he will come to his senses and return to her bosom. He does - but not quite in the way she had imagined...
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolate human experiences.
A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
In a seaside sanatorium, an old man sees his life turned upside by the arrival of a seagull that he gently tames. When the gull is injured, the old man takes care of it and for a moment finds his childhood soul.
Nanak Shah Fakir is a biographical film on the life and teachings of the first Sikh guru, Guru Nanak Dev.
Love, passion, responsibility and loss follow a man over the course of half a century in this powerful drama from Egypt. In 1948, Hassan (Khaled El Nabawy) is working his first day on the job for a telegraph company when he has to deliver a telegram to Noura (Cyrine Abdelnour), a beautiful woman who is waiting on a ship docked in the harbor. The message is from Noura's fiancé, but when Hassan sees her, he acts on an impulse, and by the end of the day he's slept with Noura. In 1973, Hassan crosses paths with Noura again; her brother is in the hospital, and Hassan happens to meet Nadia, the beautiful woman's daughter who he may have fathered. And in 2001, elderly Hassan (now played by Omar Sharif) visits Cairo and meets Ali, Nadia's son, and both are taken aback at the similarities between them.
Dean Jones is Saint John in this intimate, inspiring one-man presentation of John in exile on Patmos. Full of humor, strong in spirit, and resolutely committed to Christ, John shares his account of the events that changed the course of human history---and challenges us with his last words before his death: "Little children, love one another."
Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
In a village affected by climate change and scanty rainfall, a blind farmer strikes a deal with the debt recovery agent to save his son from a debt trap.
Popeye's 99-year-old father won't admit he's too old to help Popeye build a ship. Popeye tells him to build one side while he builds the other; Pappy's side is a mess. He falls asleep helping hoist the mast. While Pappy sleeps, Popeye rebuilds his side and finishes the above-decks, with a little help from spinach, of course.