Conrad Veidt plays a famous musician who is blackmailed for being gay. Eventually he stands trial and is convicted. At the end the film pleads for the abolition of §175 (the paragraph which punishes homosexuality).

Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a clock ticking inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man.

A visual poem based on a story by Nobel laureate F.E. Sillanpää. Set over one night in a small rural community we watch various relationships and actions among local people; these include birth, death, and conflicts fuelled by alcohol. The fates of various characters become interlaced over a long and light-filled summer night in the Finnish countryside. Lumberjacks, a deer-eyed young man Nokia, a family of poor farmers, a young girl and her lover... New life is born, old life dies, man is slain in his prime, and his widow continues her life.

Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?

Elisabeth and her brother Paul live isolated from much of the world after Paul is injured in a snowball fight. As a coping mechanism, the two conjure up a hermetic dream of their own making. Their relationship, however, isn't exactly wholesome. Jealousy and a malevolent undercurrent intrude on their fantasy when Elisabeth invites the strange Agathe to stay with them -- and Paul is immediately attracted to her.

Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.

In early 1960s London, barrister Melville Farr is on the path to success. With his practice winning cases and a loving marriage to his wife, Farr's career and personal life are nearly idyllic. However, when blackmailers link Farr to a young gay man, everything Farr has worked for is threatened. As it turns out, Farr is a closeted homosexual -- which is problematic, due to Britain's anti-sodomy laws. But instead of giving in, Farr decides to fight.

A man struggles with his identity, his life choices, his interracial relationship, and his latent homosexuality. A portrait of some young intellectuals in early sixties Montreal.

A reworking of the myth of Hippolytus, in which a chaste youth rejects the incestuous advances of his mother and is saved from death by a caring physician.

A tale of the tender relationship between a twelve-year-old boy and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit-run school.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

A Norwegian movie about love. A group of friends go on a trip to the beach. Drama ensues when everyone seems to be in love with the same person.

Two years before the Sexual Offences Act decriminalised homosexuality, a young gay couple's relationship is put to the test as they make a journey during which they must refrain from public demonstrations of affection. Daring and poetic, An experimental drama which explores a gay man's fears about his sexuality and physical attraction to another man. Dream A40 was the second film by Jamaican actor-director Lloyd Reckord.

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.

THE SERGEANT is the story of the dark inner struggle of Master Sergeant Albert Callan to overcome the overwhelming attraction he feels for one of his charges. In the staid and stifling environment of a post-World War II army post in France, Callan's deeply repressed attraction to other men surfaces when he encounters handsome Private Swanson. Maintaining the rugged "man's man" image of a war hero, Callan barks orders to his underlings. Later, lonely in his solitude, he recalls the frightening experiences of war and the events that led to this crossroads. Filled with self-loathing and unable to act on the natural attraction he feels for Swanson, Callan's affection festers into antagonism. He pushes Swanson constantly with verbal assaults and undeserved punishments.

An adaptation of Petronius' satire about the decadent life in ancient Rome. "If you like the Fellini version, you should definitely see this one, too. It's every bit as good and in some ways better."

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

A series of disjointed mythical tales set in first century Rome.

In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.

Paul Lawrence is a working class man who dates Cara, sells shirts at a Sydney department store, and dreams of attending art school. Cara leaves for London and Paul becomes the protege of designer Marie Rosefield. Through this he enters the 'set', the world of Sydney art society. Rosefield is friends with Mark Broniski, an artist who commissions Paul to design a set for British stage director, John L. Fredericks. Paul is helped by art student Tony Brown, who is dating Paul's cousin, Kim Sylvester. Paul and Tony begin a homosexual affair. Kim's mother Peggy has an affair with Boronoski.