An ambitious artist is troubled by her exams nearing, simultaneously she prepares for the art competition falling on the same day, a time machine fallen from an extra terrestrial helps her hack the timeline of her studies
In 2030, a group of former employees band together to take down a corrupt medical giant determined to increase the levels of crime throughout the country.
In the theater, the crew watches as a mad scientist transforms his assistant into a werewolf, whom he sics on all those who mocked him, in "Mad Monster" (1942). Meanwhile, on the SOL, Joel swaps Crow and Servo's heads. This episode features the short "Radar Men from the Moon, Chapter Two: Molten Terror."
Inspired by Sean Haitz upcoming feature film Area 5150. A music performance in area 51 while prisoners escape, hunted down by soldiers and aliens. Featuring cameos by Brett Wagner, Joe Castro, Sean Haitz and Ryan James.
The Sacrifice, The Dance of the Earth, The Naming and Honoring of the Chosen One
011668 appears as an iteration of the Japanese kappa. With a sense of humor and a taste for flesh, the amphibious reptiloid has been described as both a water sprite and river scourge. Unearthed from the carcass of Owens Lake by Mulholland himself, 011668 was held in captivity until 1924 when a group of California Water Activists released the creature into the Los Angeles Aqueduct. Upon arrival 272 kilometers south, 011668 remained an urban legend until 1938, when 115 people were killed in a “major flood.” The City of Los Angeles swiftly requested the support of the U.S. Army Corps of Engineers to contain the creature within a concrete hex, where it remains today.
Tim’s life changes when he discovers his toaster has the ability to travel through time.
Joel and the 'Bots suffer through a dreary '70s dinosaur movie from Japan. Where's Doug McClure when you need him?
This week's film features two intrepid heroes fleeing their Orwellian futuristic society in a souped-up racecar – but Joel and the 'Bots are more interested in reading fan mail from their adoring public.
The crew discover disturbing secrets in Crow's memory bank while watching a film about bland government officials investigating, and then trying to cover up, a flying saucer crash.
As groovy femme fatale Sumuru plots world domination, Joel gets even with the 'bots for locking him out of the ship.
This week's experiment is disastrous disaster film City on Fire (1979), which assures viewers the events depicted could happen in any city, anywhere. Even, as Tom points out, while we're watching this.
Four children, the oldest 12 years old and the youngest 11 months old, are traveling in a small plane with their mother, when due to technical failures the pilot has to try to land on the Amazon jungle of the Colombian Guaviare. The small plane falls headlong into the trees, dying. the mother and the pilot, but the children remain completely unharmed, suddenly finding themselves alone and unprotected in the middle of the jungle. With the idea of returning home, they begin to walk without knowing where to go exactly. They have no food or help of any kind. Groups of indigenous people begin to look for them as well as members of the Colombian army without knowing if they are alive or have perished. After forty days, an indigenous search group finds them and hands them over to the authorities.
Humanity, who has always been pursuing perfection, has continued to develop machines. However, machines continue to develop on their own and build '0110', a more complete digital world that resembles the human world. However, machines that value only efficiency reduce unnecessary things one by one in the human world, and humanity eventually perish. And, eventually, the digital world gradually returns to its original form, that is, a form similar to a computer chip.
However, 'H-6', the only survivor who gained eternal life by grafting his body and machinery. He try to escape from the tyranny of ruthless machines by using his cloned human 'DH-6'.
NOMANKIND is a short film that represents the vision of a machine-dominated society in a near future where humanity is on the verge of extinction due to its own self-destructive nature.”
For many people, death is not the end, but a new journey. Through this video, Axl Le wanted to reflect on this journey by making the funeral itself a part of it.