The Black Widow is not dead ... Drug Queen Carmen van Walraven is hiding in Canada and leads an anonymous life there. One evening a colleague is harassed and Carmen helps her. In self-defense, she kills the perpetrator, is arrested and extradited to the Netherlands. While her children are in shock that their mother is still alive, there are also some people who still have to settle something with Carmen. Everyone is again dragged into an emotional rollercoaster. Carmen will now have deal with her past to save her family.

A Dutch TV journalist finds himself challenging the police, courts and media as he attempts to uncover the truth about the controversial 1999 Deventer murder case.

A psychological thriller inspired by the life of Michael S., a small-town boy from Holland, who becomes the world's most wanted cybercriminal.

Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.

The opening of the Picasso-National Museum in Paris granted a unique chance for Didier Baussy to document the precious collection in the museum in 81-minutes of film. The museum shows paintings held back by Picasso himself which have been very valuable for his connection to the world and his memories. A sensitive Analysis of these pictures dominantly from the Guernica-phase, grant a deep insight into the history of this artist and man Picasso, a geographical location of the scenes and a glimpse of his sources of inspiration.

Janneke has been working as a volunteer in palliative terminal care for over twenty years, both in the hospice and in people's homes. In The Night Watchman we see Janneke both in her daily life and while waking. Scenes in which surprising parallels and paradoxes show Janneke's position in her life and how they seem to embrace death at first sight.

Shot in continuous takes with no VFX, #eyewitness follows a man who accidentally captures a crime (and its aftermath) with his phone camera.

From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.

The harried manager of a rundown RV park gets pulled into chaos after a troubled former child star arrives with problems in tow.

Lieke, Marieke van der Winden's mother, was closed, insecure and fragile. After she died of cancer at the age of 48, Van der Winden was approached at the funeral by Lieke's foster brother. She learns that her grandfather and grandmother – of whom she has wonderful memories – were wrong in the Second World War. This fact, which had played an enormous role in Lieke's life, had been kept secret for decades. Only thirty years after that revelation Van der Winden dares to delve into her mother's history. In conversations with family and friends, she gains a whole new perspective on Lieke and on her own childhood. And when she searches the archives for her grandparents' activities during the war, the shocking revelations pile up – with major emotional consequences.

Mire bala kale hin, (which means the girl with the long black hair in Romanes) was the first TV programme ever produced as a childrens program about the Roma minority in Czech Republic. It is a co-production between Finnish/ Czech/Netherlands television. The story is about a Roma girl, who is told Roma stories, legends, dreams, fairy-tales and true stories. Beside the Czech and Finnish also an english version had been produced.

In a dystopian 2054, three young rebels go on a journey to find traces of the long lost beauty of nature, hoping to discover what happened to their planet.

How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.

Shadow Game is an experimentally filmed account of the far-reaching consequences of European asylum policy. Now fences have gone up all over Europe, seeking asylum has become almost impossible. The teenagers cross snowy landscapes and meet aggressive border police on their way. Reaching their final destination has become more difficult than ever. Their journey takes them through the whole of Europe: from Greece to North Macedonia, Serbia and Bosnia and Herzegovina, from Italy to France and The Netherlands. The film was shot over a period of three years, partly by the main characters themselves on their phones.

A bold documentary in a measured style about the modern-day quest for meaning and personal growth.

Registration of the theatre program by the Dutch absurdist comedy duo Rundfunk (Tom van Kalmthout en Yannick van de Velde). The show is about (the fear of) death.

A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.

This moving documentary tells the story of Daan, a cheerful and talented boy who left life at the age of sixteen after a school career in which he was systematically excluded. Former classmates organize a reunion to investigate how things got to this point. They discover that many other students also felt unsafe in the classroom. Meanwhile, Daan's sister Julia, who, like Daan, loves theater, is working on her self-confidence. And Daan's group of friends, where he could finally be himself, looks back on the time they spent with him.

In this tragicomedy, three adult sisters and their brother come to the farm of their estranged, deceased mother to divide the inheritance. To their surprise, that includes a flock of sheep. The sisters and brother have drifted apart but it turns out that too is part of their mother's legacy.

A retrospective on 9/11 through the eyes of Dutch New Yorkers