6 movies

The Amazonian Angel

May 19, 1992

This filmic portrait is born of a double movement: the meeting of Lena Vandrey with our cinematographic universe, our meeting with her pictorial world, her space and her collection of processional figures and articulated dolls. Crossings of imaginations, of mythologies: the South, the origins, the search for a "greecity", the search for the magical potential of the image, the feminine one as "force in love". Crossings of plastic gestures: one on canvas support, the other on photographic and filmic support. We invited the artist to become herself body-painting, filmed painting. We have staged her texts, her paintings, her objects, her space. Attempt to reveal it as an embodiment of its own mythology.


June 6, 2001

"Pulsar" belongs to "The Angel Cycle" ("Le Cycle de l´Ange"). In this cycle of works we create bonds between the human body and astronomical bodies. Maria Klonaris´ improvised performance is a negative dance which lies between pleasure and catastrophe, a black and blue body language which grapples with the white of the screen and the luminous suddenness of a firework display.

Unheimlich II: Astarti

September 20, 1980

Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied cinematic experience realised through a sensuous aesthetic as we are invited to enter a strange and uncertain world of inner depths and hypnotising effects. There, we encounter three women actantes, embodied by the artists, who play mythic and magical female figures such as Medusa and Salome. They metamorphose, dance and enter trances where the body vibrates into transformation. Figures reveal themselves out of silence which is both the moment of creation and an eternal reality. The film itself actualises that which is inactual and gives form to blackness through a poetics of intimacy and an ethics of interpersonal relationships, which is founded in the artists’ own double authorship.

Angel Scan

January 1, 2007

Angel Scan. "Trip" – but without substances – except the substances created by the brain when energy awakes as a creative conscience, accompanied by an intense experience of "light" and "darkness". Hustle and bustle, bombing of atoms, dance of electric particles animated of an ultra fast movement.Invisible units of infra-atomic energy, forms/colours which are characterized by their irradiating heat and by their attraction strength as well as their potential of sound/ vibratory energy.


January 1, 2003

The macrocosm present in QUASAR is a non colonized outer space. A non science-fictionalized outer space. It is a space of fantasized stars and galaxies, black holes and light particles. It is a space of hypnotic contemplation and dissociation of the subject from the self. Immersion into macrocosmic vibrations, rotations, contractions, into slow and curved time patterns. Non linear, non climactic time. Outer-inner skies.

“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are part of our collective memory: extracts from newsreels of World War II that have been reworked and transformed through various optical and electronic processes. World War II was a condensation of violence (biological and environmental destructions, racism, ethnic clearing, and persecution of people who are different…) and ongoing wars perpetuate that violence. This work is a metaphorical representation of all past, present and future wars.This work is constructed on the dramatic tension between the violence of wars and the presence of the “Angel”: His eyes are bandaged; he is a symbol for difference, having an ambiguous position: observer, witness, victim or judge.

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