We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

When an Ethiopian boy moves in with distant relatives he takes his pet sheep with him but the upcoming holidays spell danger for his beloved friend.

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

Over there, in his village at the foot of the mountains, he’s dead. His face radiant and his body at peace, he lies on the bed. Then they can gather around him. Three days long they talk, drink, weep, fight and remember… And they smile, too.

In the Peruvian Andes, two young boys are raised in isolation by their father. A series of unexpected events will radically transform the only reality they know and will bring Sabina, the older sister, to meet her past and her culture.

In northern Peru, deep in the Amazonian jungle, Amadeo is the last Taushiro. He is old, his body is tired, he knows he will die soon. We follow him in his solitude and his rituals. He uses his native language to talk to the trees, to the spirits of the animals he hunts and to his brother who died a few years ago. By taking a close look at Amadeo’s daily life, the film questions bigger issues : the destruction of the Amazone, the disappearance of indigenous people and cultures.

Damascus, Spring 2011. It's the early stages of the civil war. 25-year-old Nahla is torn between her desire for freedom and the hope of leaving the country thanks to her arranged marriage with Samir, a Syrian expatriate in the USA. When he chooses her younger, more docile sister Myriam, Nahla finds refuge at her neighbor's, the mysterious Ms Jiji.

Vincent spots Jean-Christophe on the beach, bumps into him not so accidentally, and they hit it off during a fun evening and night. But the next morning Jean-Christophe reveals something that turns Vincent's life upside down. How will they get through the day?

In an Argentina divided between a deep conservatism and an unprecedented momentum in feminism, the film delves into the political journey and intimate lives of Claudia and Violeta. Trans women who identify as transvestites, the fight they lead with their comrades against the patriarchal violence is visceral and embodied. Convinced of their roles at the center of an ongoing revolution that intersects with so many struggles, in defiance of the old world they redouble their energy to invent a new present, to love and stay alive.

An extraordinary and necessary essay film constructed entirely out of a vast archive of news footage from the ‘80s and ‘90s, OUR MOVIE (NUESTRA PELICULA) is a response to the violent history that imprinted itself on the director in her formative years in Colombia. Images of blood spatters, bullet holes, coffins, and Colombians marching in the streets become an abstract net of quotidian sorrow.

“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota

A portrait about a Cuban family and Jenni, a professional 100 m sprinter…

Jorge is the only one of his generation who has decided to stay in the countryside. The local festivities are just round the corner, and with them comes the reunion with his ex-girlfriend Andrea, who is back from the city. Her arrival starts to unhinge him physically and mentally. Second feature film by its director.

A puma stalks Pueblo Nación Ranquel, an indigenous community in the North of Argentina. Hunting is a rite of passage, and the older boys want to kill the puma. But Uriel chooses a different path.

Yasmine, a twenty-two-year-old Franco-Maghrebi, has taken to the sea to live her life. She secretly loves N'dé, a black African woman in her thirties. On the occasion of Eid, she visits her family for a few days. Yasmine finds her sister, her father, her mother. With each of them, a relationship is revealed at the same time as an unusual trench warfare emerges, where everyone lives huddled together in their own vital space. Yasmine is overwhelmed by this violence.

A wise old man embarks on his final journey, entering the Colombian jungle to find a place to die. But the paramilitary soldiers who control the area endanger his peaceful transition to the realm of the dead.

Claude, a photographer lacking inspiration, takes medical photos for a surgeon specializing in eyelids. One day, Frida, afflicted by a drooping eyelid, sits in front of his camera. Claude's artistic research will then clash with Frida's intimate wound.

In a universe that looks like nothingness, two beings seem to exist only to come into contact.