One night, Matiss Zelcs, an employee of the Latvian national archive in Riga, notices a woman on a bridge. After passing by her without preventing her suicidal fall into the depths, a sensation of failure and guilt changes his life. He cannot forget her. Driven by a feeling of remorse and the fever of illusion, he roams through the city night and day looking for traces of her existence. This journey through the tumult of his conscience leads him deeper into his own loneliness and the depths of his soul, as he gets more and more entangled in the destinies of the woman and of the people who were attached to her. He finds himself confronted with the pain of yearning and guilt, the cruelty of love and desire, and the search for forgiveness, release and salvation.

Once you stand still, things will come up to you. (Gottfried Benn) Using tableau-like takes of different places of the Muscovite suburb (Moskatchka), a poor quarter of the Latvian capital Riga, the film shows fragments of the choreography of life and combines them to form a picture of reality. Without making any comments, the camera observes the people’s behaviour, which reminds you of the early Flaherty and how his camera “stuck to” his film heroes . It also reminds you of the beginning of film art when the recording of reality on a strip of film was an event, in spite of its accidental character.

Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.