Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

The 580 days that president-elect Lula, from Workers Party, spent in prison are the subject of the documentary "Visita, Presidente". The feature brings together unpublished stories of figures who were beside him in prison.

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

Through the eyes and voice of biologist Janine Benyus, the non-fiction feature “Biocentrics” takes the viewer through different corners of the planet to reveal the birth and the principles that guide biomimicry, a methodology of innovation inspired by nature. As a hub connecting ancestral knowledge, diverse cultures, natural technologies and initiatives that choose the continuity of life as their premise, the charismatic activist proposes a common agenda, a new posture and a tool, which is the vanguard of contemporary science, to face the global challenges that lie ahead and putting life back at the center of decision-making.

Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.

A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.

With confidential and unpublished documentation, the film shows the background and behind-the-scenes of the coup in Chile that took place on September 11, 1973 - and General Pinochet's dictatorship, which lasted 17 years.

The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.

Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.

The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

The documentary tells the story of Sidney Magal's 50-year career. The most significant moments in the life of the singer, dancer, actor and voice actor who has become an icon of Brazilian popular music. The man behind the idol, from the point of view of the participants in the story.

Through reports from people who live or have experienced the routine of fighting drug trafficking and the police, mixed with reports from security specialties, psychologists, writers and journalists, we want to present the public with both sides of the same tragedy. Without taking sides either way, bringing the viewer to reflect on our current public security policy and its consequences on the lives of the population.