Der 16-jährige Juan Pablo (J. M. Arregui) ist ein zurückhaltender junger Mann, der auf andere Menschen sehr schüchtern reagiert. So kann er auch nichts mit seinen herablassenden Cousins anfangen, mit denen er sich während seines Ferienaufenthalts bei der Verwandtschaft herumschlagen muss. Doch dann trifft er in dem umliegenden Dorf zufällig auf den selbstbewussten Juano (D. A. Paredes), der in vielerlei Hinsicht das genaue Gegenstück zu ihm ist. Die beiden grundverschiedenen Jugendlichen sind sich auf Anhieb sympathisch und verbringen fortan immer mehr Zeit miteinander. Schließlich sehnt sich Juan zunehmend danach, Juano auch körperlich näherzukommen, doch welche Chance hätte eine derartige Liebesbeziehung innerhalb des gesellschaftlichen Umfeldes, in dem sie leben?

As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.

A novelist's sense of reality and illusion becomes blurred when her family confronts a mysterious drowning in the pool of their home.

Being different is no easy task. And when the difference is so visible, like albinism, or so burdensome, like a heart condition, things get harder. Albino introvert Tito must travel from Panama to Costa Rica to pick up his sick father. Not having spoken to his father in years, their reunion is less than desired. César has always lived on his own terms and would rather deal with his weakness alone. And Tito would rather not deal with anyone. So, the ride back to Panama is a bit heated. They might kill each other but not without first confronting their anxieties and the reasons for the distance kept between them for so long