In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy and prosperous family life. When a lord treats him unjustly, this pious, upstanding man raises an army and puts the country to fire and sword in order to have his rights restored.

1828. In the wake of the repression of revolutionary movements in Southern Italy, three young friends join Giuseppe Mazzini's republican and unificationist cause. Their idealism will clash with the inevitable disillusionment as they grow apart over the decades.

第89屆奧斯卡金像獎最佳紀錄長片提名、第66屆柏林影展最高榮譽金熊獎最佳影片。義大利南端地中海上的一座離島，是12歲男孩Samuele的家，每週數百名非洲及中東難民來到這座小島，追求自由的希望。

西班牙內戰時期，人們為了逃離獨裁統治而來到了法國。面對大量外來人口的突然湧入，法國當局將他們集中安置，然而生活區的條件十分艱苦。雖然有鐵絲網的阻隔，畫家何塞還是想盡辦法與外界溝通，尋找他失散的伴侶，並且和壹位守衛成為了好友。同時插畫家出身的導演奧雷爾，最大程度地讓何塞的畫作重新散發光彩，將其流暢地融於影片之中，著重描繪在艱難逆境中藝術的力量和頑強抗爭的精神，完美呼應了主人公之言：“美好的想法，如果不與美好的人相遇，就會消逝。

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

製片助理的人生是黑白的，一天工作十六小時的她，開車跑遍大街小巷，為老闆物色能在工安形象影片現身說法的傷患，還得擠出時間處理家人的疑難雜症。只有抽空拍攝惡搞短影片時，她的人生才是彩色的。為了溫飽，人人都得為五斗米折腰，為了別讓乾爹不開心，黑的也能拍成白的。反正一下了工，直播在手，粉絲都愛我。

1975 年，柬埔寨共產黨取得政權後，逼迫上百萬人離開家園下鄉勞改。一位年輕的母親在全家遷移時與年幼的兒子走散，從此音訊全無。她懷抱著尋獲兒子的信念，在嚴苛的生存邊緣中不斷掙扎，同時也親嘗人性冷暖，看盡尊嚴殆盡的人。柬埔寨裔法國導演首部動畫長片，即摘下安錫影展最佳長片水晶獎，以個人苦難窺看歷史集體傷痛，寫實描摹赤柬時期人民的心理折磨，細緻的筆觸為影片增添了些許溫柔。

A long love story, seen through the memories of one young couple. The journey through the years of two individuals, united, divided, happy, unhappy, deeply in love, or in love with others, in a single stream of emotions and shades of feeling. Over the course of the film, he learns that love can indeed last, while she learns to live with nostalgia.

無法抹滅的記憶，如幻象、如夢境，烙印在腦海裡

1982年以色列入侵黎巴嫩，支持基督徒長槍黨（Phalangist）執政。後因當選總統的基督徒長槍黨民兵領袖巴席爾．賈梅耶（Bashir Gemayel）被暗殺，遷怒於巴勒斯坦人，在以色列暗中支助下，長槍黨民兵對在貝魯特的薩布拉（Sabra）及夏蒂拉（Shatila）的巴勒斯坦人難民營展開大屠殺，死傷上千人。而導演阿利佛曼（Ari Folman）正是其中一名以色列士兵。某天夜裡，阿利佛曼的友人陳述著自己每天晚上反覆被同一個惡夢驚醒，夢中的26隻狗對著他咆哮讓他記憶深刻。兩人認為這與他們20歲前後從軍時期所發生的事有所關聯，但阿利佛曼卻驚覺自己的記憶變得殘破，拼湊不出完整的片段。他決定找尋當年的同袍們，希望能夠還原真相。然而當事實越逼近記憶核心，一切宛如超現實的圖像般開始悄悄的浮現。

Summer 1943, Piedmont, Italy. Milton loves Fulvia who plays with his love: she only likes the depth of his thought and the letters he writes to her. One year later, Milton has joined the Resistance and fights beside other partisans. He learns during a conversation that Fulvia was secretly in love with his best friend Giorgio, a partisan like him. Milton decides to go find Giorgio in the Langhe region of Italy with all its misty hills...But Giorgio has just been arrested by the Fascists.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

A documentary about Berlin's former airport Tempelhof. A film about Departures and Arrivals. And about those Berliners who come here to escape from their daily lives and those refugees who came here to finally arrive somewhere.

1985 – two years after the end of the military dictatorship in Argentina, leading members of the junta are tried in court. Ulises de la Orden creates 18 succinctly edited chapters from 530 hours of footage, bearing witness to state terror.

18th century. Anne, grown up, has to "change her clothes" because of her attraction to women. Now a man, he marries and has a great love affair with his new wife, until his past catches up with him. The shocking true story of Anne Grandjean, born intersex, and their resounding trial, which still questions all our certainties today.

A portrait of those trying to survive in the war-torn Middle East.

Amidst the bustle of a magnetic and multifaceted city, the budding love between two dreamers is tested by duty and religious divides.

Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

The 1984 short Barres celebrates the ingenious ways one can get onto the Paris Metro without paying.

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.