Pierre-Joseph is 16 years old when he joins a training center to become a gardener. There he meets Françoise Brown, the director, Alberto, his botany teacher, and Adrien, his employer, all of whom are decisive in his apprenticeship and the discovery of his sexuality. 40 years later, Kutta, Françoise Brown's adopted child, whom he has always heard about, arrives. But Kutta, who has become the owner of the strange castle of Antiville, seems to be looking for something more than a simple gardener.

Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams... until love unexpectedly brings her back to life.

Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.

The debut feature from Franco-Senegalese filmmaker Dyana Gaye charts the interconnected destinies of three far-flung sojourners across three continents. A quiet drama, about the anxieties of negotiating journeying to foreign countries and making a place for oneself in the world.

The lack of respect with which the Black musician Thelonious Monk was treated in Autumn, 1969. At the end of his European tour, legendary jazz musician Thelonious Monk appears on an interview show in Paris for French state television.

Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature. (Arnaud Dommerc)

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

Dakar, Senegal. Ousmane, a 7 year old child, begs in the streets. He decides to write a letter to Santa Claus.

Siman discover a foreign crew shooting a moon landing. He gets caught and his tongue is cut off. He goes through life in slow motion, imitating an astronaut in outer space, labeled as crazy.

African immigrants start working on a farm in Normandy and hope to open their own restaurant someday.

A film in three parts: An aquarium, a man sitting at a table reading various text passages, and a sequence from Jean Renoir’s film LA MARSEILLAISE. This is all from a film by Jean-Marie Straub – about fate, the soul and the cosmos, about the evident nature in which man lives, just like in the aquarium surrounding him. And finally, there’s the nation as a symbol for the community of free people. A Straub film represents a gift that isn’t based on exchange, but rather the opposite of communication. And what could be more beautiful and liberating in life?

Through the portrait of Alain Emery, who in 1953 embodied the child of the film 'White Mane', directed by Albert Lamorisse, this film is a tribute to the Camargue, its winter light, its peculiar rhythms to the men and women, guardians, bull-breeders and fishermen who give this land an incredible wild beauty. Returning to the scene of filming, this film goes in search of the poetic force that flows from end to end in Lamorisse's film.

In the heart of the Alps, the goat Lou leaves her herd to search for her missing mother. Alone in the heart of winter, Lou meets a mysterious creature with whom she will learn to overcome her fears and find new resources within herself.

A walker who crosses three regions: Vattetot-sur-mer in the Pays-de-Caux region, Saint-Firmin-des-Bois in the Gâtinais region, and Carrouge in Switzerland, drawing an imaginary geographical thread between the places where we live and the place where Gustave Roud spent time on his family farm in the Pays-de-Vaux region. This film was inspired by Gustave Roud’s text, whose title we have borrowed. Travelling through landscapes, looking closely at the tiny and changing forms of nature, meeting living beings – animals and people.

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.