名模雅雅(查爾比迪恩 飾) 和男友卡爾(哈里斯迪金森 飾)正因感情問題苦惱時，受邀參加一場豪華遊輪之旅，認識了一群花錢不手軟的超級富豪。然而，突如其來的暴風雨導致遊輪沉沒，雅雅、卡爾、一群富翁以及一名清潔工漂流到荒島上。突然間，階級制度顛倒了，一場失控的生存風暴也隨即展開...。

「廣場是信任與關懷的殿堂，在裡頭，我們有同樣的義務與權力 。」當代藝術館上上下下都忙著替即將開幕的新展覽《廣場》添脂抹粉，希望有機會炒熱特展、一夕爆紅。但平時瀟灑沈穩、風度翩翩的館長克里斯欽（克萊斯邦 飾演）卻有點心不在焉，因為在每天上班必經、人潮熙來攘往的廣場上，他的錢包手機被人扒走了。 他一邊構思如何出狠招揪出扒手，一邊還要應付過度殷勤的藝文女記者（伊莉莎白摩斯 飾演）、腦力激盪到有點走火入魔的行銷團隊、附庸風雅但又難搞的捐款貴賓。隨著開展時間漸漸逼近，接踵而來的意外搞得日子雞飛狗跳，眾人心中抓狂指數逐漸升高，廣場所標榜的信任與關懷也即將崩壞...。

一個現代的瑞典家庭-英俊的先生湯瑪斯帶著老婆艾芭跟兩個金髮可愛小孩，一起去法國滑雪度假五天。他們一邊午餐邊觀賞著山景，享受著陽光普照同時，遠方的雪崩突然降臨，人們驚恐地四處逃逸，這個時候，湯瑪斯做了一個決定，而這個決定不但動搖了他的婚姻，更讓他一家之長的地位不保，一場家庭風暴即將席捲而來....

《奇蹟渡假村》的天主教聖地和《小魔花》的植物培育實驗室展現了導演潔西卡．賀斯樂獨特的人性觀察方式，而這次《零卡俱樂部》的菁英寄宿學校則成為她實驗觀察的新場景。蜜雅．娃絲柯思卡在片中扮演的營養學老師以安靜而專注的形象示人，引領學生們挑戰傳統規範和家長的期望，影片巧妙地構建了一個詭譎而獨特版本的《春風化雨》。

A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.

上海蘇州河上，用摩托車替人送貨的馬達（賈宏聲）接下送接純真少女牡丹（周迅）的活，兩人相處時，牡丹愛上馬達，但就在她決定把終身託付給對方時，馬達財迷心竅聯合黑道朋友綁架了她，令牡丹心灰意冷跳進蘇州河裡。臨跳前，牡丹丟下會變成美人魚再尋馬達的話。

五年後，為自己行為懊悔不迭的馬達疑惑牡丹又回來了，開始四處找尋。當在某酒吧里看到扮美人魚表演的美美（周迅）時，馬達認定她就是牡丹，然而美美不過是另一個癡情女子而已。

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.

In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.

For Anna Maria, paradise lies with Jesus, and she devotes her time to door-to-door missionary work. One day after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home—and soon prayers are replaced by fighting.

In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The thieves used an elaborate scheme called the 'little brother number' or 'brother trick', involving advanced role-play and gang rhetoric rather than physical violence.

Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl's diptych about the inescapability of the past and the pain of finding yourself.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.

When the entertainment system suddenly stops working onboard a long-haul flight, the passengers are stuck with no screens to look at and are forced to endure 15 hours of life without digital distraction. Chaos ensues.

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth?

In the splendidly decorated barbaric world of Antwerp, an ordinary lonely Lucien has an inhuman capability to stick metal objects to his body. An introverted Buster Keaton-like man of a few words is a hapless artist, clown, freak, and musician with a wounded heart and a quiet violin. His vocation is to entertain the common people despite his burning pain and guilt for the inevitable loss of an estranged father.

From its epic conception to its film death, the fantasized and fictitious portrait of the film-maker Walerian Borowczyk : Boro-in-the-box discovers a cruel and obscene world, crosses commonplace and colorful adventures, from Poland to Paris, caressing erotic birds and organic cameras in a phantasmagorical alphabet primer.

Biographical film, epically depicting the life of the famous scientist Lev Landau.