Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

SAMNANG, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.

A young woman relaxes at a riverfront restaurant. She recounts stories of her past experiences, finding enchantment in the flows of the river and the trees on the mountains nearby.

Phnom Penh, Cambodia. On Diamond Island, the country's pinnacle of modernity, two friends tell each other about the dreams they had the night before.

A young woman working late at night at a beauty salon gives into her restrained interest in a young man who spends his evenings driving Phnom Penh's streets by motorbike as a delivery man.

Phnom Penh at night. Three young hip-hop dancers drive a single motorbike and stop on a muddy deserted road. Nick leaves the others to look for an iPhone he heard was lost in the area. Piseth and Thy discuss their hopes and doubts, and Piseth shows his best Michael Jackson moves. They meet Leakhena, a young female street vendor whose cart is full of colors.

A nurse helps Vicheka make sense of his dreams after he returns to a transformed Sihanoukville to memorialise his father in this restrained film about the human cost of Chinese investment in Cambodia.

Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.

Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.

Before their impending departure for the capital city, two siblings first must bid farewell to the place they called home, each in their own way.

On the Cambodian island of Koh Sdach, a local diver examines coral reefs and seahorse populations while exploring the environmental impacts of his village's commercial development and growing fishing industry.

A young artist who conserves ancient Khmer sculptures in modern-day Phnom Penh journeys to Tokyo with her own works.

My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.

Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.

Forty years after the fall of Phnom Penh, Cambodian artists inherit a pluralistic history whose groping threads they unravel. Sera Ing works on the sculpture which will become the first memorial of the genocide but the project encounters difficulties to exist. How do artists reappropriate history and culture from which they have been dispossessed?

On a lonely night, Tuk Tuk driver Nath meets a woman who reminds him of his past. Returning home, he confesses to his wife that he wants to move. This realization ultimately reveals the unspoken realities of their marriage dating from the Khmer Rouge period.

Lida, a careerdriven woman in her late 20s in the developing metropolis of Phnom Penh, Cambodia, sells modern and upscale real estate developments to the growing middle and upper class in contemporary Cambodia. Lida may be thriving as a top real estate agent, but in her personal life , her relationship with her photographer boyfriend is deteriorating. Unable to escape the trauma and prison of her interior monologue, she travels to the quiet beach town of Kep, Cambodia, with her close companions. While the growth and modernization of the city promote an urban and cultural erasure, Kep reveals treasures from Cambodia’s heritage. It is there that Lida discovers that the specters from the past haunt in sublime and beautiful ways.