When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.
After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.
Angela was 8 years old when the first McDonald's opened in East Berlin - Since then, she has been fighting against the curse of her generation: to be born "too late" at a time of global political depression. Coming from a family of activists, her sister chose the world of business and her mother abandoned overnight her political struggle to move alone to the countryside.
Jeanne works as an auxiliary in a maternity in Marseilles. Day and night, Jeanne and her colleagues fight to help mothers and their babies against the lack of staff and constant management pressure. Jeanne lives with her 18 year-old daughter, Zoé. When a tragedy occurs at the maternity and Zoé leaves to study in Paris, Jeanne’s secret past suddenly resurfaces and forces her to assert her life choices.
29-year-old Georgia is waiting for her first child. But Georgia is not pregnant. In three months’ time, her wife Jeanne will give birth to their daughter.
SAMNANG, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.
1996, 16-year-old Solveig longs for her first kiss...
Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.
Diplopia “is a functional vision disorder that results in the perception of two images for a single object” (Clément Chéroux). Antonin Peretjatko literally brings this double vision to the screen. He uses it to tackle one of the issues approached in Yellow Saturday – the perception of the so-called Yellow Vests protest movement, a lengthy political episode that has fuelled the media in their field-based battle to portray the demonstrators.
On a lonely night, Tuk Tuk driver Nath meets a woman who reminds him of his past. Returning home, he confesses to his wife that he wants to move. This realization ultimately reveals the unspoken realities of their marriage dating from the Khmer Rouge period.