In Shakespeare’s great drama of loss and reconciliation, a long-deposed ruler uses magical arts to bring within her power the enemies who robbed her of her throne and marooned her on a remote island. But what revenge does she mean to take?
Filmed version of the 2019 Stratford Festival production.
A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.
hurch and state collide when England’s king defies papal authority by seeking to divorce his wife, Katherine of Aragon. The consequences will be epochal for the country – and calamitous for the king’s adviser, Cardinal Wolsey, who has been playing a dangerous game of his own. Passion, political intrigue and personal faith drive the action as Shakespeare brings vividly to life the thrilling human drama behind a pivotal moment in history.
Shipwrecked on the coast of Illyria, Viola adopts a male disguise and enters the service of Duke Orsino, only to find herself part of a triangle of unrequited love. Meanwhile, in the household of the Countess Olivia, Sir Toby Belch and his unruly companions trick Olivia's strict and disapproving steward, Malvolio, into believing that she loves him.
The ultimate royal family crisis. Prince Hamlet's father is dead, poisoned by his uncle, who has usurped the throne and married his mother, the Queen. When the dead King's ghost appears, commanding his son to revenge his foul and most unnatural murder, Hamlet is set on a course of action that can only end in the destruction of a dynasty and his own extinction.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
This scintillating production of Shakespeare’s boisterous comedy will stir your emotions even as it challenges you with its pointed social commentary. Is the story of Kate and Petruchio one of courtship or of conquest? The breaking down of a defiant spirit or a breakthrough that liberates a heart deprived of love? You decide – but either way, this is an experience not to be missed!
This radically reimagined version of Shakespeare's romantic tragedy Romeo and Juliet invites you into an up-to-the-minute world of sound and music, a world in which the entrenched hostilities of an older generation are challenged by the passions of young people who only want to love.
This filmed treatment of the original Stratford Festival production of Timothy Findley's Governor General Award-winning play is a lavish treat for the eyes and the ears. William Shakespeare and his company of actors are brought together with the formidable Queen Elizabeth I in a remarkable encounter on the night of April 22, 1616, hours before the execution of Elizabeth's former lover Essex. Through the course of the evening, actor Ned Lowenscroft, famous for his female roles in Shakespeares' plays, very touchingly teaches the Queen to be more of a woman, while the Queen helps Ned be more of a man. Part history lesson, part theatrical insight, the play is a beautifully crafted Shakespeare-like work with poignant reflections on grief, love, friendship, and art. Compelling performances are delivered by Diane D'Aquila as Queen Elizabeth, Peter Hutt as Shakespeare and Brent Carver as Ned Lowenscroft.
A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.
A storm at sea brings love into the life of Pericles, Prince of Tyre – and another snatches it away. Filled with music and brilliant spectacle, this magical production of Shakespeare’s epic adventure is a delight for the eye and ear as it follows a fairy-tale hero on his miraculous journey to one of drama’s most poignant reunions. A story rarely told – and one you won’t soon forget.
Pursuing two respectably married women at the same time, a would-be seducer fails to anticipate that his targets will, quite literally, compare notes. Nor has he reckoned on the mischievous spirit in which the wives will use their wits and wiles to teach him the error of his ways. Set in the 1950s, in a town not unlike Stratford, Ontario, this production brings Shakespeare's rollicking comedy close to home - and close to our hearts.
In Kenya in 1952, Mercy, a restaurant proprietor, is hired to cater the impending visit of Princess Elizabeth, soon to be Queen. In 2015, another story unfolds in London, England, where a young Kenyan-born Canadian, Tia, is working as an intern on a TV drama series about the British royal family – while also pursuing a writing project of her own. These parallel narratives seem only coincidentally connected – until a surprising twist reveals a deeper relationship between the two.
Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.
Shakespeare's great comedy of dreaming and desire has it all - spellbound lovers, quarrelling fairies, tradesmen who love amateur theatricals. This is both a deep dive into the realms of the subconscious and a hilarious tribute to the power of the imagination. The most fundamental techniques of theatrical art feature in a magically inventive staging of a play that is itself a celebration of joy, both human and supernatural.
When the King of France (Peter Hutt) demands that John (Tom McCamus) relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political turmoil and personal grief for a mother who has lost her son.
Renowned for his extreme generosity, the Athenian nobleman Timon has fallen prey to flatterers and false friends, on whom he showers lavish gifts and extravagant hospitality. His loyal steward, Flavius, tries to warn him of the financial consequences of such reckless expenditure, while the cynical philosopher Apemantus mocks his naivety, but Timon ignores them both. When his money runs out and his creditors demand payment, Timon sends confidently to his "friends" for help. When all refuse him, he throws one last party - one that heralds a dramatic change in his attitude to the world.
A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.
An elderly women looks back on her life as she relates to two younger, female visitors a caregiver and a lawyer. An unexpected turn of events casts the three women in a very different light.