A young couple have settled in a new flat. Soon somebody begins watching them and they receive great amounts of money from an unknown sender.

Melkior Tresic is one of many intellectuals in 1941 Zagreb who is helplessly waiting for the encroaching war.

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.

During the WWII, the communist resistance, with the help of a few local anti-fascists, makes sabotage and obstructs the actions of the Yugoslav quislings.

It is 1918, the evening of The Great War. Austro-Hungarian empire is collapsing, and all around Croatia there are outlaw deserters, fighting in forests. A city journalist decides to become a country schoolteacher, just to find some peace in that restless political situation. But, neither the village is safe from the militaristic policy of the imperial goverment.

In 1928 young Communist activist was arrested and put on trial for anti-state activity. Years later he became known as Tito, Communist president of Yugoslavia, and this TV-movie was made for the 50th anniversary of those events.

Lidija is a wealthy Zagreb lady who, during the German occupation, begins to collaborate with Yugoslav Resistance.

The action takes place in a village where police investigates a murder committed because of an accordion.

Based on the memoirs of Irena Vrkljan. Through reminiscences of Mala and her sisters, we meet her family and her contemporary intellectual elite.

Piano player is commissioned as an officer in WW1 Austro-Hungarian army. His sensitive soul is being tormented by war atrocities. And then he is ordered to hang an old lady...

Old houses in Zagreb are destroyed in order to build new, bigger blocks. A teacher who lives in one of these houses allows a stranger to share his home with him. The stranger has a fascination with statistics, and claims he can predict crimes based on statistical analyses. When a predicted murder did not occur, the stranger is adamant that the whole town will suffer unless a balance is achieved - and he leaves.

A man discovers huge amounts of money popping up in the pockets of his jacket.

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

After a twenty-year absence, psychiatrist returns to his hometown, where a meeting with old acquaintances and a former love will lead him to a life-threatening situation.

Middle-aged couple is going back from shopping in Trieste. They decide to spend the night in a romantic motel “Moonlight”, but there, their trouble will begin…

A young family from the province moves into the ground floor of a quiet building in Zagreb and with their lifestyle and behavior disrupts the idyllic atmosphere that reigned in that neighborhood until then. All attempts by the natives to bring them into order are unsuccessful, so they hatch a conspiracy. But their revenge will have serious consequences...

The film was created based on the stories of Marino Zurl, head of humanitarian action of the weekly Arena newspapers, who from 1963 to 1971 was looking for the next of kin of children separated from their parents during World War II and taken to camps and shelters. Many of them later grew up in orphanages or foster families, like the three main characters of this film, Ana (Biserka Ipša), Nenad (Mustafa Nadarević) and Toma (Božidar Orešković). Each of them relates in a different way to the past and the possibility that, as young accomplished adults, they can finally solve the secret of their identity and meet members of their real families.

Tena, a young Slavonian woman becomes aware of her own beauty which makes her fall into a state of moral decay. Her newly discovered promiscuity eventually makes her fellow villagers turn on her.

Based on a novel by Ivan Slamnig.

Written in 1932 between the two world wars, this TV drama brings a critique of militarism and speaks of the meaninglessness of warfare and the tragedy of human lives and the tragedy of human lives in such an environment.