Ten years of hard work have made the young Arod Quartet one of the most brilliant of its generation. For it takes years to blend together 4 individual talents into one. Their repertoire is ranging from Mozart to Bartok, Debussy to Kurtág.

Gigi is a rural policeman who works in a place where nothing ever happens… until a young woman commits suicide by throwing herself onto the tracks as a train passes.

Island of Tahiti. French government official De Roller is a calculating man with impeccable manners, capable of dealing with both high society and the locals he frequents in shady joints.

Pianist Alexander Malofeev in a live recital from the Verbier Church at the Verbier Festival 2022. The young virtuoso offers an entirely Russian program which brings together Scriabin, Rachmaninov, and Prokofiev, with Rachmaninov’s sublimely mysterious Études-Tableaux op.33 as the centerpiece, alongside Prokofiev’s celebrated Piano Sonata no.7, which blends certain expressionist elements with a pensive lyricism. Program: SCRIABIN: 5 Preludes op.16 … RACHMANINOFF: Etudes-tableau op.33 … SCRIABIN: 2 Impromptus op.12 … PROKOFIEV: Sonata 7 in B-flat op.83 … LISZT: Mazeppa S.139/4 … MEDTNER: Canzona Serenate (Forgotten Melodies I op.38/6) … TCHAIKOVSKY/PLETNEV: Pas de deux (Andante maestoso)(Nutcracker) … MEDTNER: Tales of the Elves (Fairy Tales op.48/2) … PROKOFIEV: Tocata op.11

They meet in »Le Vieux Belleville«: Minelle, the singer, or Robert Bober, the writer, once Truffaut's assistant director. Basque anarchist Lucio is also a regular at the little restaurant, where time seems to have stood still. This place and the memories of the regulars and their songs which tell of love and struggle are the manifestation of the soul of Belleville, but also of old Paris.

A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.

Ulrike Ottinger weaves her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem.”

Anna teaches violin at a music school, her husband is an instrument-maker. They have a 10-year-old son, Jonas. At school, Anna champions young Alexander, in whom she alone sees great talent. She devotes much energy and attention preparing him for the next stage exam to prove she was right. Soon Anna devotes more time to him than to Jonas, bringing the two boys into rivalry. At the same time her marriage is collapsing, she withdraws increasingly from her own family and starts an affair with her colleague Christian, who is encouraging her to join a quartet. When she fails during their joint concert, the pressure mounts. With Alexander now her vehicle, she drives him ever onwards and upwards. Come the day of the exam, events take a tragic turn...

1774, shortly before the French Revolution, somewhere between Potsdam and Berlin. Madame de Dumeval, the Duke de Tesis and the Duke de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Their mission is to export libertinage, a philosophy of enlightenment founded on the rejection of moral boundaries and authorities, but moreover to find a safe place to pursue their errant games, where the quest for pleasure no longer obeys laws other than those dictated by unfulfilled desires.

A cinematic portrait of the world-wide legendary Argentinian composer who changed tango. For the first time ever, the hidden archives of bandoneón player Astor Piazzolla are opened by his son Daniel.

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

Astor Piazzolla revolutionized the tango. By breaking with the codes of traditional tango, he brought this popular Argentine music from dance floors to concert halls around the world and is now recognized as a major composer of the 20th century. From numerous unpublished private archives, the voices of Astor and his children paint a unique portrait of this complex man.

On July 5th, 1922, Norwegian explorer, scientist and diplomat Fridtjof Nansen creates a passport with which, between 1922 and 1945, he managed to protect the fundamental human rights as citizens of the world of thousands of people, famous and anonymous, who became stateless due to the tragic events that devastated Europe in the first quarter of the 20th century.

Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

A unique film portrait of the famous Italian pianist. Maurizio Pollini felt himself that the time had come to submit to the probing of the camera, an exercise made all the more necessary because of his usual avoidance of the public eye.

Recording of a performance by Ballet de l'Opéra national de Paris of the ballet on Music for 18 Musicians by Steve Reich, choreographed by Anne Teresa De Keersmaeker.