در گرمای تابستان خانه‌ای سوت و کور در حومه شهر را ترسیم می‌کند که در آن برادران دوقلوی نه ساله منتظر بازگشت مادرشان هستند. وقتی او بعد از جراحی زیبایی باندپیچی شده به خانه می‌آید، هیچ چیز مثل قبل نیست و بچه‌ها شروع به شک می‌کنند که آیا این زن واقعا همان است که می‌گوید.

On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach.

Vienna, Austria, 1910. The young painter Egon Schiele is a rising artist, provocative and free, whose work, characterized by eroticism, shocks as much as it fascinates art lovers.

آنا ماریا زنی میانسال است که به تنهایی در وین زندگی می کند.زمانهایی که در بیمارستان کار نمی کند را صرف تمیز کردن خانه اش می کند.اما او احساس تنهایی نمی کند،او مسیح را دارد،او مسیح را دوست دارد.عشقی بسیار به خدا داشته و همیشه به درگاه او دعا می کند تا این که …

Her mother in Kenya, 13-year-old Melanie spends her summer vacation at a strict diet camp set in the Austrian countryside. Between workouts and nutrition classes, pillow fights and first cigarettes, she falls in love with a doctor 40 years her senior.

Filmmaker Ulrich Seidl explores of the dark underside of the human psyche by entering Austrian basements fitted out as private domains for secrets and fetishes.

Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.

Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death.

Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl's diptych about the inescapability of the past and the pain of finding yourself.

A man with the mental faculties of a child must save his mother, thereby becoming god and devil.

Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.

18th century Austria. Villages surrounded by deep forests. A woman is sentenced to death after killing a baby. Agnes is marrying her loved one and candidly prepares herself for a spouse life. Soon after, her head and heart start to feel heavy. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts. Maybe not just thoughts…

Lillian, stranded as an emigrant in New York, wants to walk back to her native Russia. Determined, she sets out on the long journey. A road movie across the United States into the cold of Alaska. The chronicle of a slow disappearance.

In Rimini (2022) and Sparta (2022), Ulrich Seidl followed the lives of two brothers, Richie and Ewald, respectively. The former is a crooner long past his prime yet still beloved by hordes of late-middle-aged female fans who can also buy his sexual attention; the latter is a technician living in Romania and wrestling with his pedophile desires. These two tales were supposed to be told in one film – and now they finally are! The result offers a staggeringly different experience of the narrative(s). It's far more cerebral, above all a work of ideas.

Young women, Austrian style. Yesmin is Kurdish and wears a headscarf. She shoots a cheeky burqa video with Bella and Nati which makes the trio famous in the Muslim community. Controversy and alienation ensue. Immediate, exuberantly introverted cinema.

Tourism is booming at the Pension Alpenrose. After a dying in an accident, Karin returns as one of the undead. In a cinema owned by a Nazi widow where the past is mourned, she brings the dead back to life.

Norman, who lost his parents in a fire as a child, is obsessed with light and haunted by its destructive powers.

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.

Lisa Weber’s portrait of Claudia, who had a son when she was 15 and now lives together with him, her mother and her brother in Vienna, is an affectionate and gentle film about the passing of time and about what happens when seemingly nothing is happening.