The film is set in Tuscany during the Black Death. As in the Decameron, ten young Florentines take refuge from the plague. But instead of telling stories, they have lusty adventures, bawdy exchanges, romance and swordplay. There are randy nuns, Saracen pirates, and a sexy cow.

A woman vanishes. Her husband inquires into the strange circumstances of her disappearance. Did she leave him? Is she dead? As he goes along searching, he plunges into a world of nightmare and violence...

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

След внезапната смърт на майка си, 26-годишният Иън Хардинг остава съвсем сам и в пристъп на отчаяние и тотално незнание какво да прави с живота си, решава да се самоубие. Най-подходящо място за целта му се струва близката заснежена гора. Там младежът открива безжизненото тяло на ученичка, която е направила същото, което той възнамерява да стори след малко. Нещо в предсмъртното й писмо го трогва до сълзи и той решава да занесе тялото й у дома си. На сутринта я погребва в градината и решава, че връзките със склонни към самоубийство жени може би са решение на дълбоките емоционални проблеми, които го преследват от най-ранно детство. Дали обаче това наистина е така?

45-годишният Габриел Шевалие е бивш полицейски служител, който в момента няма работа и прекарва дните си обзет от силна депресия. Липсата на жена в ежедневието му го принуждава да живее в изолация от обществото и това още повече утежнява отношенията му с неговата млада дъщеря Жулиет. Един ден Габриел по случайност попада на съмнителна, но добре платена работа, която може да реши голяма част от проблемите му. Задачата му е без да задава никакви въпроси всекидневно да пренася малко куфарче до предварително определено място. Единственото правило е той никога да не отваря куфарчето.

An unnamed man narrates the downward trajectory of his life from beyond the grave, from delinquency to the string of fateful decisions and foolhardy moves that tied him inextricably to the opiate that was the elusive love of his life.

UNIVERSALOVE is a global love story. Six episodes in six different places of the world are told in a symbiosis of modern story-telling and popular music. UNIVERSALOVE is an experiment - a global love story. The interwoven storylines are located in Brooklyn, Rio de Janeiro, Tokyo, Belgrade, Marseille and Luxembourg. The laconic narrative style captures moments that set the viewer on a journey around the globe and deep into the emotional worlds of very different characters affiliated with different cultural spheres and languages.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

Karl Escher, the son of a prominent banker, was accused of embezzlement and forgery at the bank and went to prison for three years. After his release, he seeks revenge against his brother Franz, whom he believes to be the real culprit.

Катрин е майка, която не е виждала и е пренебрегвала дъщеря си Алба. Детето се възпитава от бабата Елизабет. Катрин се завръща в родния си град - Люксембург и иска да се види с детето си, но е приета студено и резервирано. Елизабет също не е готова да се раздели с внучката си.

Този филм не се занимава с Чернобил, а със света на Чернобил, за който знаем твърде малко. Свидетелствата на очевидците обаче са оцелели: учени, учители, двойки, деца… Те разказват за живота си преди Чернобил, а после и за катастрофата. Техните гласове създават дълга, страховита, но необходима молитва, която отеква силно и насърчава критичността към статуквото.

A young woman has the idea of setting up her boyfriend with a very wealthy but sickly lady to claim her inheritance.

After losing part of her memory, Maret, 44, sets out to find out who she used to be. She learns about the many different life paths she followed, in none of which anything was ever really achieved. A profoundly unhappy person in a never-ending, headlong rush. A doctor on the island of Lanzarote offers to put this restlessness to an end through brain surgery. A promise of peace and satisfaction. Will Maret proceed with the surgery that would take away part of her being - or not?

A young man can't quite commit to having sex with his girlfriend. Then he meets a mysterious lady in a local bar. Will his girlfriend find out? Will she care?

Franka and Greg, a French woman and an Irish man in their 50s get ready for their first date. They are anxious and try their best to hold their nerve. However, once they meet, things calm down, and an honest, vulnerable, and moving exchange of secrets, confessions and profound truths follows. They are clearly immensely compatible and a great match. But at the peek of their meeting, something changes.

The desert is calling. Yet, it is with the ocean that Fabrizio Maltese’s journey begins. He has accepted Abderrahmane Sissako’s invitation to continue the film he and Pol Cruchten had initiated together. Pol has since passed away. The project he had been dreaming of has thus taken on a new, symbolic dimension. It must see the light of day. This is why Fabrizio has traveled on his own to meet with the Mauritanian director. But fate seems to have decided otherwise. From Saint Louis in Senegal to Nouakchott in Mauritania, from Mata Moulana to Chinguetti, Fabrizio allows himself to get lost alone in the desert, with nothing more than a few scribbled notes jotted down on the piece of paper that was given to him by the two filmmakers.