The pig-killing fest on an old farm is a tradition Karel looks forward to every year. It’s the only chance for the whole family to get together, have a good time, engage in a squabble or two, and enjoy some great food. But this time things are different. The butcher hides the fact his cartridges are damp, grampa can’t bring himself to tell Karel, recently widowed, that this slaughter will be their last, daughter Lucie is depressed after her marital breakup, and grandson Dušík runs away while his parents argue over whether he’s old enough to watch the kill. As for Karel, the pig’s blood spilling everywhere is the last straw... Adam Martinec’s feature debut is a remarkably incisive study of the Czech temperament which, through its visceral character portrayal and searing humour, evokes the masterworks of the Czechoslovak New Wave. Natalia Kozáková (kviff.com)

Men still have a privileged position. Yet the concept of a “crisis of masculinity” is increasingly permeating the media, with a loosening of roles and a growing uncertainty about what it means to be a man today. The director Jan Hušek also asks this question. He was still wetting himself by the age of thirteen, which earned him the unflattering nickname that is the film's title. In his open video diary, he captures the physical and spiritual transformation of his journey from boy to man. He returns to the woods and the roots of his childhood trauma. In doing so, he turns the camera on himself as well as on various teachers or his father. Perhaps the mark of adulthood, after all, is not overwrought masculinity, but the acceptance of his inner “pisspants”.

The disappearance of two boys at a lake, during a scorching summer afternoon, forces us to question who we really are in the face of our own humanity.

This short film explores the stages of the creative process through the voices of different creators from all fields of art. To convey the message, it employs a combination of every possible animation technique.