《同流者》是《末代皇帝》、《戲夢巴黎》導演柏納度貝托魯奇躍於國際的成名作。改編自阿爾貝托莫拉維亞的同名小說，故事設定在二戰前義大利法西斯主義崛起之時，一名從小生活優渥的中產階級男子馬切洛，因為某個童年事件始終活在創傷陰影之下，覺得自己是個「不正常」的人，因此積極追求「正常」的社會價值認同。隨著法西斯主義在義大利社會變成主流，馬切洛也投入法西斯主義的組織運動，而他的任務是剷除異己，暗殺自己叛逃的反法西斯主義份子老師。 本片最被讚頌的地方是極具風格的敘事手法：精緻的光影構圖，大膽的用色和美術設計。貝托魯奇和其長期合作夥伴，攝影大師維托里奧斯托拉羅 (《現代啟示錄》、《烽火赤焰萬里情》、《末代皇帝》) 大量利用德國表現主義的攝影風格，誇張的陰影使用，扭曲的攝影角度，大玩光影遊戲。電影大量的線條光影像是隱形牢籠一般，視覺化主角的囚困心靈。再搭配上藝術指導 Ferdinando Scarfiotti 靈巧的色彩配置，恰到好處的飽滿華麗或空無留白，整體雕塑出主角馬切洛墮落的心靈狀態。

Young student runs away from a 1984-esque dictatorship, lives for a while with a crazy girl in a surrealistic “igloo” in snowy wilderness and then returns to lead a revolution against the oppressive system. Sci-fi tale consistent with the political climate of May 68.

20世紀30年代在威尼斯升起法西斯主義的背景。 一個音樂學生，馬蒂亞斯，與鎮上的資產階級混在一起，愛上了一位成熟的老師卡拉，他的朋友雷納託的母親，然後和他的年輕同事艾琳娜。 主題包括勒索，背叛，誘惑和最終謀殺。

Aristide receives a big inheritance from his mother, but when he meets a beautiful redhead at the cemetery, his life changes unexpectedly.

After many years of living abroad, a troubled young man returns home due to the death of his father (who he suspects was actually murdered). He attempts to untangle that mystery while still carrying an unhealthy obsession toward his mother, who committed suicide ten years ago. This obsession then draws in his attractive cousin and takes a sexual turn.

At age 50, tax inspector Emerenziano decides to settle down and aims to the three Tettamanzi sisters, who, though not young or pretty by any means, have recently inherited a large amount of money.

During the year 1673, Rome was besieged by poverty and violence. The rich Mr. Argante has two servants to look after him, while his wife is only waiting to see him dead to inherit.

Discovering that a woman from their small town in Sicily cheated on her husband, a group of upper class men investigate and try to identify her.

A prince who has become poor accepts a marriage to the daughter of an American tycoon. The girl is only interested in his title and plans a divorce, but after a while she also grows fond of him.