On his quest for happiness, Per decides to leave Jutland and an upbringing in a strict religious home. He runs from his family and his patriarch father, and sets sail towards Copenhagen to become an engineer. Parallel to his studies, he works on a visionary energy project based on wind and wave energy, a project so much ahead of its time, that professors consider him insane and far too self-confident. However, Per’s project becomes a success and he marries the beautiful Jakobe who is a part of a wealthy Jewish family. One would imagine that Per’s happiness now is made. But Per’s childhood keeps haunting him and his dogmatic family cannot accept his new life. Despite his luck and success, Per is unable to fully cut the strings to his strict religious background, and he now fears that he will repeat his father’s patriarchist behavior.

A biography of the eighteenth century Viennese physician, Franz Anton Mesmer, who used unorthodox healing practices based on his theory of "animal magnetism."

The story of Napoleon Bonaparte's grandniece, the famous Princess Marie, her friendship and her work with Sigmund Freud.

During the First World War, the crooks Scholef and Krumka sell weapons on the black market. After the collapse of the monarchy they try their hand at speculation on a grand scale.

This film combines two very different styles: an atmospheric psycho thriller about the ice-cold hired gun (masterfully played by Frank Gorschin), and the bizarre satire of the Austrian TV serial "Kottan ermittelt".

The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

A group of men, addicted to pornography, have a chance to live out their fantasies but find that the reality is far different from what they expect.

The 35-year-old ministry official Baron Leisenbohg had the stage career ten years ago as the cast of the "Queen of the Night", opera that promoted singer Klare Hell. Klare shows no gratitude however.

Martin Powolny, a down and out actor, calls himself Tiger. He lives in a tree house and practices his characteristic yell. An offer to make a film and an air-travel ticket entice him into the big city of Vienna. The director hopes he can finance the film if Tiger plays the leading role. There is no screen story as yet. Running away from a mean nightclub owner, Tiger is hit by an automobile and lands in a hospital.

Viennese vegetable merchant Karl Kassbach becomes a member of a right-wing extremist organization, which plans numerous attacks on democratic institutions and journalists.

The film attempts to portray a realistic and detail-oriented study of the mind of the "Kleinbürger", trapped between the fringes of the lower and middle-classes.

Beleaguered by choppy editing and potholes in the script, this story is about the bond that develops between an aging, former railroad worker living in an abandoned theater and Willie, the wayward, alcoholic architect he shelters (Elliot Gould). The flaws in the script and story development, and the architect's exaggerated character traits, work against the concept of a growing friendship between the two men and leave the main thrust of the film in limbo. A subplot has a gang of street thugs chasing Willie all over the city in order to retrieve some photos of a murder he accidentally recorded. At the same time, Willie is trying to reconcile with his son, left in the care of his neglected wife. ...

A kidnapped musician and his missing violin are the prelude to a series of murders whose victims were deeply involved in business connections between the GDR and Austria. The investigators of SOKO Vienna and Leipzig are working together.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

The Distant Land (German: Das weite Land) is a 1987 Austrian-German drama film directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. Based on a play by Arthur Schnitzler, which is generally referred to in English as The Vast Domain and was also adapted by Tom Stoppard as Undiscovered Country.

Contemporary love story about the confrontation of French and Austrian culture.