The man has a monotonous job punching tickets for the Japanese railway. One night, while walking home, he saves Jun from getting raped by two hoodlums. A few days later, he sneaks into her house but gets discovered. Later, as he watches his son subdue an insect with a chemical, the man gets an idea to subdue women while they're sleeping so he won't be discovered sneaking into their home. His new hobby spirals out of control as his confidence grows.
A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.
The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-Sansō incident.
During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier but deprived of his arms and legs lost in battle. All hopes, from the villagers and women to close family members, turn to Shigeko, the Lieutenant's wife. She must honor the Emperor and the country in setting an example for all by fulfilling her duty and taking care of the 'god soldier'. Kurokawa prior to leaving to fight in the war regularly beat and berated his wife for her barrenness and inability to bring him a son. When he returns home as an amputee with no hearing and no speech, his wife dutifully attends to him, even though he shows little appreciation for her dedicated care. His main concerns are getting fed and getting sex. Even in his own degraded condition, he manages to berate his wife. Eventually, though, his own memories infiltrate and he is haunted by his horrible, sadistic deeds, performed while in the duty of the Japanese military.
Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.
On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.
Eros Eterna tells the story of a legendary immortal nun who wanders around encountering several people of various conditions.
Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.
A salesman is looking in the city of Tokyo for his lost son. But he becomes increasingly angry at the young and radical hippies, who are not the least helpful.
A bunch of young hipsters kidnaps a loving couple and keeps them trapped in a barren landscape. To the sounds of free jazz they are performing various experiments with the couple. In the distance is a yakuza gang keeping track of the youths. Who are really experimenting with whom?
An highschool student who doesn't manage to sleep with girls decides to rely on rape.
A faction of the Communist Party puts Tokyo rocked by demonstrations that they start. Despite this marked the inner circle of more uncertainty and group sex than determination and morale. When the police forcing them to go underground, and the mysterious Suzuki joins, starts the internal tensions in the group take over.
On November 25th 1970, a man committed ritual suicide inside the Tokyo headquarters of the Japanese Ministry of Defence, leaving behind a legacy of masterpieces and a controversy that echoes to this day. The man was Yukio Mishima, one of Japan's greatest and most celebrated novelists. With four members of his own private army - the Tatenokai - Mishima had taken the commandant hostage and called upon the assembled military outside the Ministry to overthrow their society and restore the powers of the Emperor. When the soldiers mocked and jeered Mishima, he cut short his speech and withdrew to the commandant's office where he committed seppuku - the samurai warrior's death - tearing open his belly with a ceremonial knife before being beheaded by one of his colleagues. What was Mishima truly trying to express through his actions? And what did he witness during his final moments?
Sequel to "Dare to Stop Us"
In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.
A man keeps his girlfriend tied up in his small apartment and tortures her. She is undressed, subjected to various types of bondage, whipped, and tortured with a razor blade.
A middle-aged man discovers an injured refugee woman trembling in the corner of his bar in Kabukicho. He quickly becomes aware that her life is in his hands when he learns she is hiding from the yakuza.
Young slacker couple accidentially kills a friend. They burn his body and hang out on a beach.
Study about a young disturbed man, who rapes and kills women and collects their bodies in a cave. A work based on the case of Yoshio Kodaira, a serial rape murder case shortly after the war.