This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.
It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.
Michelle De Winter lives the good life, wining and dining with only the richest men who are fortunate to cross her path. Her daughter Yvette, whom Michelle insists on introducing as her 'niece', is a fashion model. She is saving herself for the right man, despite the fact that she is part of the free love generation and lives with a group of promiscuous creative types. While Michelle is searching for a new millionaire playboy, Yvette falls for the handsome Peter Von Hallstein. She asks the fatherly Dr. Fink to help her come up with a scheme to get Peter to propose to he
Betsy Norman is a happy assistant at a luxurious Spanish hotel. Shiela, the hotel owner, caters for all wishes of her clientele with another lucrative business, the brothel "Rio Amore" where clients from all over the world come to relax with the girls and watch the sado-masochistic shows. Linda, Betsy's sister, is drugged and forced to work as a prostitute there.
Miguel, a horribly disfigured young man, goes on a rampage at a masquerade party and rapes and then mutilates a girl. Institutionalized at a mental asylum, he is released five years later, into the care of his sister, Manuela who, along with their wheelchair bound mother operates a boarding school for young women. Miguel becomes obsessed with one of the girls at the school, and wants to resume his incestuous relationship with his sister.
A group of teenage girls at camp discuss their various sexual escapades while they read a new journal about sex has been published to help teenagers understand the consequences of sex.
A fake documentary about the sex lives of teenage girls.
Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.
In Part 7, the filmmakers explore what’s lacking in modern German schoolgirls.
A bite from a giant spider turns a man into a creature that terrorizes a group of women who survived a plane crash.
After the big success of the first part the film-makers apparently felt pressured to launch a new "investigation" and gather new material. Therefore, Friedrich von Thun again ventures out into the streets, this time of Berlin, to ask schoolgirls about their sexual experiences. The invinted guests talk about (allegedly) true events. Schoolgirls that seduce their teachers, runaway girls that have been robbed and who have to prostitute themselves or innocent girls that have been drugged and raped...
This is the 11th of "Schulmädchen" movies and core issues this time is protection of young people and helping them in dangerous or critical situations.
Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.
Industrialist Jean is living a jet set life in late sixties Paris. He comes to the aid of a frightened young woman (Nicole) who is under the domineering control of her abusive boyfriend, Klaus. Although married, Jean develops a romantic relationship with Nicole. However, he may have gotten himself involved in more than he bargained for.
This is the last of the infamous German "Schoolgirl Report" movies. The story involves a bunch of teenagers and their teacher rehearsing "Romeo and Juliet" and discussing tales of modern love.
King's swordsman Captain Buridan, hero of the Flanders campaign, returns to Paris to find it in a grip of fear -a "vampire/witch" in the "Tower of Sin" is luring young men to their deaths by offering them a night of sexual ecstasy followed by savage slaughter. Buridan is holding secrets of his own and his battle to save France from an evil Chancellor, an impotent King and a lascivious, wanton Queen make the battlefields of war seem like child's play.
A scientist invents a serum that keeps a dog's head alive after its body dies. When the scientist dies of a heart attack, his crazed assistant cuts off his head and, using the serum, keeps the doctor's head alive and forces it to help him on an experiment to give his hunchbacked nurse assistant a new body.
The Making of a Lady: The Story of Lady Hamilton is a 1968 historical drama film directed by Christian-Jaque and starring Michèle Mercier, Richard Johnson and John Mills.[1] It was based on the novel La San-Felice by Alexandre Dumas and depicts the love affair between Emma Hamilton and Horatio Nelson. It was a co-production between Italy, West Germany, France and the United States.
When Comanches go on the warpath, settlers take refuge in Ft. Eagle Rock commanded by Capt. Jackson. Undercover agent Cliff McPherson arrives at the undermanned fort to lend advice and support. He learns that the Comanches have been stirred up by local rancher Morton who wants to take control of the oil under the Indians' reservation.
Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.