Island of La Réunion, in the beginning of the 20th century. Five teenagers commit a savage crime. As punishment, a Dutch captain takes them to a supernatural island with luxuriant vegetation and bewitching powers.

Demester minden idejét a farmon tölti. Egyetlen szórakozása a Barbe-bal, gyerekkori barátjával tett sétái az erdőben. Őszintén szereti a lányt és ezzel a szeretettel, a maga suta módján fogadja el tőle, azt, amit a lány adni tud. Néhány társával együtt Demester elhagyja otthonát, hogy külföldön teljesítsen katonai szolgálatot. A háború kegyetlensége és a félelem igazi katonává formálja személyiségét. Közben Barbe szinte belesorvad abba, hogy szüntelenül várja, hogy a többiekkel együtt Demester is hazatérjen a faluba. Amikor Demester hazajön meg kell tanulnia újra emberként éreznie és viselkednie.

Fernando, a magányos ornitológus éppen fekete gólyák után kutat, amikor elsodorja egy zuhatag. Két kínai zarándok menti meg Fernando életét, ám rögvest egy kísérteties és sötét rengetegben találja magát. Nehéz feladat lesz kikeverednie innen.

Alice, a young woman living in Northern France. finds mysterious tapes with people narrating their nightmares. As she is looking for the sender the limits between dreams and reality get obscured.

A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.

A young woman wandering around meets a young man going to a casting call for a pornographic film.

The mood is heated. Demonstrations are taking place across France, also in front of the Paris hotel where an Italian named Giorgio is booking the bridal suite for him and his boyfriend Antonio. Hotel manager Diana doesn’t trust them and calls the police to get rid of the odd couple. Italians? Homosexuals? Criminals? In the charged atmosphere of the Hotel Occidental, little is needed for initial suspicions to be aroused.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to earth. His actions devastate his beloved family and we watch as their world falls apart.

A dark and mysterious gardener (Tchili from This Filthy Earth) keeps watch over the family but is powerless to exorcise the curse that he feels has befallen them. Meanwhile the twin sisters (Manon and Capucine) provide light but sometimes macabre relief. The world of IVUL is a world of both fairytale and nightmare with the family manor house and forest landscape providing a compelling backdrop to the story.

In 2004 Wim Vandekeybus shot a 52-minute feature based on his successful performance Blush. Carried by the music of David Eugene Edwards and Woven Hand and with texts by the Flemish author Peter Verhelst, Blush is a dazzling voyage swinging between the heavenly landscapes of Corsica and the slummiest depths of Brussels. It is an exploration of the savage subconscious, of mythical forests, of conflicting instincts, of imagination, where the body has reasons unknown to the mind. In dance sequences of attraction, confrontation and repulsion the performers take on animal metamorphoses…

A visit to the Louvre in Paris commentated by an actor reading Cézanne.

Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.

A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.

A restless daughter meets a spirit-fish who gives her pure water. But as her family devours the delicious water, they begin to suspect more than the origin of its taste.

Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic to get to Europe. Will life be easier there or not?

She losses her sight. Once back among friends and family: blindness, isolation and a strange perception of the bodies around her. Rejection of this changes and an abrupt decision to put an end to it all. In the peacefulness of early morning, the terms of a new shared existence take shape.

300 million years ago, the north of France was a wetland. 140 years ago, a canal is dug and never filled with water. One day, vagabonds decide to go down an invisible river and pick on the way débris of a world to start a new one. The film finds its starting point in the 1970s environmental scandal of Love Canal (NY, USA) who led to the Superfund act (1986), the first federal program on damages caused to natural ressources by industrial sites. From there, the film traces a path through the post-industrial landscapes of north of France and questions, through fiction, the taking in hand (metaphorically and litterally) of those great landscapes.

Ibn Battuta works as a journalist for an Algerian daily newspaper. While covering community clashes in Southern Algeria, he finds himself incidentally picking up the trail of long forgotten uprisings against the Abbasid Caliphate, back in 8th-9th century Iraq. For the purpose of his investigation he goes to Beirut, a city that used to embody the hopes and struggles of the Arab World...

In an Argentina divided between a deep conservatism and an unprecedented momentum in feminism, the film delves into the political journey and intimate lives of Claudia and Violeta. Trans women who identify as transvestites, the fight they lead with their comrades against the patriarchal violence is visceral and embodied. Convinced of their roles at the center of an ongoing revolution that intersects with so many struggles, in defiance of the old world they redouble their energy to invent a new present, to love and stay alive.

A man washes up on a beach. He saves a foreign woman and together they flee into nature. There they discover that the beauty of the environment only distracts from the growing threat. Behind the serene greenery hides death and destruction. Where did they end up? The present and past of the country merge imperceptibly into one another. This is a battle of all times, with the landscape as a silent witness.