Nardymo entuziastė Mėja (aktorė Louisa Krause) įkalba savo jaunesnę ir mažiau patyrusią seserį (Sophie Lowe) kartu leistis į ypatingą nuotykį: vykti į itin nuošalų pajūrio kampelį. Patyrusi narė Mėja patikina, kad viskas bus gerai ir seserys panyra į nusotabų povandeninį pasaulį. Vis tik ilgai grožėtis juo merginoms netenka. Netikėtai kilusi akmenų griūtis beveik 30-ies metrų gylyje prispaudžia Mėjai taip, kad ši negali nei išsilaisvinti pati, nei su sesers pagalba nuristi ant jos užkritusio akmens. Jaunėlė iš paskutiniųjų stengiasi nepanikuoti, nes dabar tik nuo jos priklauso, ar Mėjai pavyks ištrūkti iš negailestingų povandeninių spąstų. Juo labiau, kad deguonies jai yra likę vos 20-čiai minučių.

Du darbininkai padarė nerimą keliantį atradimą sename Kopenhagos bute: už netikros sienos yra paslėpti trys mumifikuoti lavonai, sėdintys aplink pietų stalą su viena tuščia vieta. Byla greitai patenka ant detektyvo superintendento CARLo MØRCKo ir jo padėjėjo ASSAD stalą, ir jie patys turi išsiaiškinti, kas yra mumijos ir kam skirta ketvirtoji vieta. Carlas ir Assadas dėjo visas pastangas, kad surastų buto nuomininką, ir galų gale jie suranda įkalčių, nukreiptų į garsiai žinomų „pasiaukojančių“ mergaičių įstaigą Sprogø saloje, kur didžiulis aplaidumas ir medicininiai eksperimentai vykdant priverstinę sterilizaciją yra dalis kasdienybės.

Gunman Flame and his partner Citron assassinate Nazi collaborators for the Danish resistance. Assigned targets by their Allies-connected leader, Aksel Winther, they relish the opportunity to begin targeting the Nazis themselves. When they begin to doubt the validity of their assignments, their morally complicated task becomes even more labyrinthine.

The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.

Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.

Nesrin and Hatun are two Kurdish cleaning women living in Istanbul. While Nesrin tries to survive with her little daughter, trying to understand why her husband left her, Hatun dreams of buying a house in the district where they clean.

Ecumenopolis: City Without Limits" tells the story of Istanbul and other Mega-Cities on a neo-liberal course to destruction. It follows the story of a migrant family from the demolition of their neighborhood to their on-going struggle for housing rights. The film takes a look at the city on a macro level and through the eyes of experts, going from the tops of mushrooming skyscrapers to the depths of the railway tunnel under the Bosphorous strait; from the historic neighborhoods in the south to the forests in the north; from isolated islands of poverty to the villas of the rich. It's an Istanbul going from 15 million to 30 million. It's an Istanbul going from 2 million cars to 8 million. It's the Istanbul of the future that will soon engulf the entire region. It's an Istanbul nobody has ever seen before.

It’s summer and the streets are almost empty in a small town, once the centre of the metalworking industry in former Yugoslavia. People gather at the public swimming pool. Two friends are saying goodbye.

This is the story of Mei, a young woman on a trip from East to West after her escape from her provincial Chinese village. Beginning in Chongqing and a disastrous factory job, Mei soon heads out for London and a marriage to an older man where her entrapment begins anew.

Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.

Three women are slaving away in a laundry in Hamburg. Their wages are low but they cope with their everyday lives with dignity − and find a quantum of happiness from time to time.

The life journey of a Pontic refugee from Crimea, as seen through the eyes of his great-granddaughter, two decades after his death.

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time.