A portrait film about Seaküla Simson, one of the sculptors with the best sense of form in Estonia. It is impossible for a man who went through the war in Afghanistan to forget what he experienced. Again and again the past catches up with him. Even in dreams. The only way to face your demons is to make fun of them.
On a sunny day in November 1938 a magnificent white schooner set sail from Greenwich Village under the command of the young Estonian captain Ahto Valter. Travelling among several wealthy passengers from the US, Canada and England are also his Scottish-American wife and their 1.5-year-old son Teddy. With a crew of adventurers chosen from 5,000 applicants in the United States, the 70-ton auxiliary ketch Ahto starts a memorable and adventurous voyage around a world, flying the Estonian flag.
Philosopher Jan Jõemets embodies all Estonian humanitarians of 1990s. While flying too high and being too free he burned his fingers and now the viewers can decide themselves whether Jan has enouth will and power to rise from the ashes. Only Jan's friend Margus Ott has survived in today's desinfected and chlorinated pool of education among the former philosophy students of the School of Humanities. The documentary points out the commercialization of today's higher education and suffocation of free thinking. The protagonists' journey reveals how educational system attempts to cast creative thinkers into similar moulds.
Siisi is an active and handsome young woman who would have the energy to send the first Estonian space shuttle to Venus. Instead, she flies to Uganda, where she plans to open a caféteria that will provide employment for young people with disabilities.
A story about traveling and four women of different ages who embark on a journey. Four different destinations, four different goals, four different options. The film's title is borrowed from Tove Jansson's collection of short stories and the film is dedicated to film director Olav Neuland, who died in a plane crash.
The children's world includes as much brutality as the world of adults. Filmmakers Andres Maimik and Jaak Kilmi study the cases of the following kids: Kätlin, Märt, Marek and Indrek. All of them have experienced more violence in their own way than most of the kids of their age. The film brings the viewer to a sad journey to the hidden and traumatic zone in society. The filmmakers try to talk to the children, parents and teachers about the subjects that are often referred to only in abstract ways.