À New York, une femme se présente dans une galerie d'art avec plusieurs chefs-d'œuvre inconnus. C'est le début d'une arnaque profitant de la cupidité du monde de l'art.

Paul Reynolds is a Gatsby-like figure: owner of a magnificent house, the host of great parties, and a collector of interesting people. He persuades Lizzie Thomas, a secretary at a local estate agent's, to come and work for him as his assistant, to bring some order to his chaos. He inspires her with his enthusiasm and imagination, and frustrates her with his apparent carelessness and destructiveness, which culminates in her calling the police as one of his parties is attacked by local troublemakers, seemingly with his tacit approval. But their paths are destined to cross again and again as Lizzie, with the help of some of the people that she met at Paul's house, rises through the changing landscape of corporate Britain. This is the tale of a meaningful and powerful relationship that isn't a love story; it's about those rare people who profoundly influence and shape our lives.

"There'll Always Be an England" du nom de la musique d'intro émouvante de Vera Lynn capte l'énergie et l'excitation du groupe et de la foule. L'ensemble de l'album classique 'Never Mind The Bollocks' est interprété, avec un mélange de versions de couverture de Pistols, de faces B et même d'une foule impromptue chantant "I Do Like To Be Beside the Seaside".

Explore the changing role of American womanhood through the Mrs. America Beauty Pageant’s half-century history.

Mat performs in front of astounded stooges all across the USA.