During the months of the pandemic, the group of inmates and the theater company began an epistolary correspondence, in the course of which the text that was supposed to be their next performance, based on a fairy tale from Basile's collection Lo cunto de li cunti, became the fantastic echo of a slow and difficult transformation that affected everyone. Thus, the film is about metamorphosis and tried to do so by putting the world of fairy tale in constant dialogue with the world of reality.

Five characters from the Renaissance have dinner and talk about the state of Europe.

Excerpts from the novel Donna di Messina (1949 and 1964, 1967) by Elio Vittorini (1908-1966).

Set in 1970s Rome, the fiction tracks the plight of a nuclear family, consisting of an unhappy married couple: Clara (a deeply dissatisfied expatriate Spaniard) and Felice (an abusive businessman cheating on Clara with his secretary) and their children Adriana, Gino, and Diana. Their eldest child, 12-year-old Adriana, experiences gender dysphoria; he rejects girlhood and instead goes by the name of Andrea (a primarily masculine name in Italian). Andrea develops a crush for Sara, a Roma girl who knows him as a boy. Upon a shared sense of being outsiders, Andrea and Clara grow closer.

Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.

Pino Gambassi is a child suffering from haemophilia and is animated by an unbridled desire for freedom and boundless courage: he decides to start his adventure in the world and to show everyone that he can live his life like a normal kid.