У маленькому містечку йде війна між двома впливовими сім'ями, яких абсолютно не цікавить закон. Герой Клінта Іствуда - людина без імені, що вміє стріляти без промаху ...
Мсьє Юло має зустрітися з американською посадовою особою в Парижі. Проте він губиться в лабіринті сучаної архітектури, наповненої останніми технічними новинками. Його підхоплює туристичний вир, і він блукає Парижем із групою американських туристів, що сіють хаос.
Інквізиція повідомляє князівну Азу відьмою й присуджує її до смерті незвичайним способом — прибивають до особи шипами залізну маску. Двісті років потому у Миргород попадають доктор Круваян і його молодий помічник Андрій Горобець. Прогулюючись по окрузі, вони знаходять стару занедбану каплицю, у склепі якою спочиває Аза. Фатальний збіг обставин пожвавлює красуню, і вона, для початку куснувши Круваяна, починає винищувати своїх нащадків.
Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
A hitman is double-crossed by his girlfriend and barely escapes a murder attempt. He then sets out to take his revenge on the woman and the gang boss who put her up to it.
Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.
Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.
The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.
When the swindler La Spada and his accomplice José come out of jail in Madrid, they decide to pull a really great swindle: nothing less than to discover and sell a third picture of the famous Goya's Maya. They engage the renowed Scorcelletti who can imitate any picture and who lives in Rome. Afterwards, with the help of the beautiful Eva, they convince the celebrated art critic Francisco Montiel of the existance of a third Maya and let him find the picture. When the swindlers are on the point of selling the faked maya to an American millionaire, Scorcelli comes back from Rome to sell one of his six other maya pictures.
A guy is about to become the millionth citizen to buy a car in Rome. Frightened, he decides to remain pedestrian, and recalls several stories, with new car owners as protagonists. Episodic comedy.
Professor James Anders is a seemingly mild-mannered teacher, an American working in Rio De Janeiro. Anders, bored with years of teaching, decides to put together a team to pull off a diamond heist during the Rio Carnival. Four international experts are brought together to carry out the robbery: a safe cracking expert, a master thief, a mechanical genius, and a playboy.
Some political candidates are determined to win the electors' preference during an election campaign in Italy.
The fake private detective Mike Spillone is hired by two old ladies to find out if Brigitte, the wife of their nephew Otello Bellomo, has a lover. Brigitte is a physician but the two aunts are unaware of the fact. While investigating, Mike and his assistant Johnny discover Brigitte with a prospective patient, the marquis De Vitti who was shot by the husband of the woman he tried to seduce. Afterwards Spillone finds her with her husband who he believes to be her lover.
Based on Sébastien Japrisot's novel, the story revolves around a young girl who suffers from amnesia after surviving a terrible fire.
A doctor saves a girl from suicide and marries her out of pity. Soon the evil man who had pushed her to the limit taking advantage of her re-enters her life. The ensuing crisis will help the newlyweds overcome their differences and start a fresh, better new life.
John Chandler is sentenced to death only to re-emerge as his own brother, courtesy of the CIA who have arranged the subterfuge so they can use him as a double agent.
On his own wedding day, sheriff Pat Garrett must leave and try to arrest two bank robbers.
Duclos's son, a worldly gangster, is compromised in a case of which he is innocent. The proof of this innocence is in the hands of a "competitor", the Marquis de Chemantel de Beauvoiron, a misguided aristocrat. He asked for $ 10 million to cede the document. Duclos will then imagine Chemantel contracting $ 10 million in life insurance for his son. As he discovered in Rome a tramp, a look-alike of the marquis, he will bring this man to Paris and arrange for him to die accidentally.
An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.